Digital cinema in the context of Internet

Digital cinematography is the process of capturing (recording) a motion picture using digital image sensors rather than through film stock. As digital technology has improved in recent years, this practice has become dominant. Since the 2000s, most movies across the world have been captured as well as distributed digitally.

Many vendors have brought products to market, including traditional film camera vendors like Arri and Panavision, as well as new vendors like Red, Blackmagic, Silicon Imaging, Vision Research and companies which have traditionally focused on consumer and broadcast video equipment, like Sony, GoPro, and Panasonic.

Blackmagic Design Pty Ltd is an Australian company that develops digital cinema technology and manufactures professional video production hardware and software. Headquartered in South Melbourne, it is known for producing high-end digital movie cameras and a range of broadcast and post-production equipment. The company also develops software applications, including the DaVinci Resolve application for non-linear video editing, color correction, color grading, visual effects, and audio post-production.

A movie theater (American English) or cinema (Commonwealth English), also known as a movie house, cinema hall, picture house, picture theater, the movies, the pictures, the big screen (colloquialism), or simply theater, is a business that contains auditoriums for viewing films for public entertainment. Most are commercial operations catering to the general public, who attend by purchasing tickets.

The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel.

A movie projector (or film projector) is an opto-mechanical device for displaying motion picture film by projecting it onto a screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors (see also digital cinema).

Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required.

Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. When putting together some sort of video composition, typically, one would need a collection of shots and footages that vary from one another. The act of adjusting the shots someone has already taken, and turning them into something new is known as film editing.

The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name "the invisible art."

Digital light processing (DLP) is a set of chipsets based on optical micro-electro-mechanical technology that uses a digital micromirror device. It was originally developed in 1987 by Larry Hornbeck of Texas Instruments. While the DLP imaging device was invented by Texas Instruments, the first DLP-based projector was introduced by Digital Projection Ltd in 1997. Digital Projection and Texas Instruments were both awarded Emmy Awards in 1998 for the DLP projector technology.

DLP technology is used in DLP front projectors (standalone projection units for classrooms and business primarily), DLP rear projection television sets, and digital signs. It was also used in about 85% of digital cinema projection as of around 2011, and in additive manufacturing as a light source in some printers to cure resins into solid 3D objects.

4K resolution refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several 4K resolutions. The movie projection industry uses 4096 × 2160 (DCI 4K). In television, 3840 × 2160 (4K UHD) with a 16:9 aspect ratio is the dominant standard. Many 4K Blu-ray releases of ultrawide films use a letterboxed form of this, keeping the horizontal resolution of 3840 pixels while the effective vertical resolution is about 1600–1620 pixels.

The 4K television market share increased as prices fell dramatically throughout 2013 and 2014.

Transcoding is the direct digital-to-digital conversion of one encoding to another, such as for video data files, audio files (e.g., MP3, WAV), or character encoding (e.g., UTF-8, ISO/IEC 8859). This is usually done in cases where a target device (or workflow) does not support the format or has limited storage capacity that mandates a reduced file size, or to convert incompatible or obsolete data to a better-supported or modern format.

In the analog video world, transcoding can be performed just while files are being searched, as well as for presentation. For example, Cineon and DPX files have been widely used as a common format for digital cinema, but the data size of a two-hour movie is about 8 terabytes (TB). That large size can increase the cost and difficulty of handling movie files. However, transcoding into a JPEG2000 lossless format has better data compression performance than other lossless coding technologies; in many cases, JPEG2000 can compress images to half their original size.

Serial digital interface (SDI) is a family of digital video interfaces first standardized by SMPTE (The Society of Motion Picture and Television Engineers) in 1989. For example, ITU-R BT.656 and SMPTE 259M define digital video interfaces used for broadcast-grade video. A related standard, known as high-definition serial digital interface (HD-SDI), is standardized in SMPTE 292M; this provides a nominal data rate of 1.485 Gbit/s.

Additional SDI standards have been introduced to support increasing video resolutions (HD, UHD and beyond), frame rates, stereoscopic (3D) video, and color depth. Dual link HD-SDI consists of a pair of SMPTE 292M links, standardized by SMPTE 372M in 1998; this provides a nominal 2.970 Gbit/s interface used in applications (such as digital cinema or HDTV 1080P) that require greater fidelity and resolution than standard HDTV can provide. 3G-SDI (standardized in SMPTE 424M) consists of a single 2.970 Gbit/s serial link that allows replacing dual link HD-SDI. 6G-SDI and 12G-SDI standards were published on March 19, 2015.

da Vinci Systems was an American digital cinema technology company based in Coral Springs, Florida. It was founded in 1984 as a spinoff of Video Tape Associates (VTA), a production and post-production facility that had begun developing in-house post-production systems in 1982. The company became known for its color correction and color grading systems, as well as digital mastering and film restoration technologies. Its products were used widely in television and film post-production.

In 1986, the company was acquired by Dynatech, following a corporate merger, Dynatech was renamed Acterna, which continued to hold da Vinci Systems. In 2005, Acterna was acquired by JDS Uniphase, which inherited da Vinci Systems as part of the transaction. In 2009, the financially troubled JDSU sold the company to Blackmagic Design, which merged it into its operations. Blackmagic Design has continued development of da Vinci's flagship software under the name DaVinci Resolve.