Tudor Arghezi (Romanian pronunciation: [ˈtudor arˈɡezi]; born Ion Nae Theodorescu; 21 May 1880 – 14 July 1967) was a Romanian writer and political figure, widely considered one of his country's greatest poets (second only to Mihai Eminescu). An illegitimate, part-Hungarian, child who was purposely vague about his roots, he had a troubled youth during which he held a variety of jobs—including a stint as a hierodeacon of the Romanian Orthodox Church, from which he gathered his extreme anti-clericalism. He debuted in the 1890s as an affiliate of the Symbolist movement, being welcomed as an outstanding poet. Arghezi renounced this career to study theology in Switzerland, but never graduated, training instead as a watchmaker and typographer. From 1910, his social poetry and leftist journalism became widely read, allowing him to return as a professional writer and art columnist. He soon became highly controversial for his apparent corruption and his mordant satire, as well as for his political positions during World War I—when, as editor of Seara and Cronica, he favored the Central Powers. Arghezi stayed behind in occupied Bucharest after The Romanian Debacle of 1916, collaborating with the German Empire in a manner that was judged as treasonous. In postwar Greater Romania, he was initially punished with imprisonment at Văcărești (an experience which informed his interwar poetry and prose), but amnestied within months of the verdict.
Arghezi returned to political journalism, frequently changing sides and patrons, but remained constant in his promotion of avant-garde literature. Credited with having discovered the similarly influential Urmuz, he set up his own review, Bilete de Papagal, which helped launch careers. He only published his poetry as books when he was in his forties, becoming instantly famous. Initially well-liked for his bridging of modernist literature and thematic traditionalism, he became reviled, especially in conservative circles, for the extreme naturalism and grotesque expressionism found in his subsequent works. Arghezi had a consuming dispute with the nationalist ideologue Nicolae Iorga, but never fully rejected nationalism, and seemingly agreed with conservatism, as well as with far-right groups such as the Iron Guard, on a number of topics. By 1930, he was a virtual client of the authoritarian King, Carol II, who also intervened to silence Iorga's opposition. Largely with money obtained from Carol, Arghezi maintained his estate of Mărțișor, located outside his former prison; it is known as the setting of his other poetic cycles and his children's literature, which address the beauties of family life. For a while, he was absent from literary life due to a misdiagnosed disease, and preserved from this a hatred of the medical profession.
