Devi Mahatmya in the context of "Devi Upanishad"

A sacred language, liturgical language or holy language is a language that is cultivated and used primarily for religious reasons (like church service) by people who speak another, primary language in their daily lives.

Some religions, or parts of them, regard the language of their sacred texts as in itself sacred. These include Ecclesiastical Latin in Roman Catholicism, Hebrew in Judaism, Arabic in Islam, Avestan in Zoroastrianism, Sanskrit in Hinduism, and Punjabi in Sikhism. By contrast Buddhism and Christian denominations outside of Catholicism do not generally regard their sacred languages as sacred in themselves.

Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Rigveda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).

Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many Middle Indic (prakritic) elements not found in other forms of Sanskrit.

Devī (/ˈdeɪvi/; Sanskrit: देवी) is the Sanskrit word for 'goddess'; the masculine form is deva. Devi and deva mean 'heavenly, divine, anything of excellence', and are also gender-specific terms for a deity in Indian religions, such as Hinduism and its offshoots like Buddhism, Jainism, and Sikhism.

The concept of reverence for feminine manifestation of goddesses in Hinduism and its offshoots appears in the Vedas, which were composed around the 2nd millennium BCE. However, they did not play a vital role in that era. Goddesses such as Durga, Kali, Lakshmi, Parvati, Radha, Saraswati and Sita have continued to be revered in the modern era. The medieval era Puranas witness a major expansion in mythology and literature associated with Devi, with texts such as the Devi Mahatmya, wherein she manifests as the ultimate truth and supreme power. She has inspired the Shaktism tradition of Hinduism. Further, Devi is viewed as central in the Hindu traditions of Shaktism and Shaivism.

The Markandeya Purana (Sanskrit: मार्कण्डेय पुराण; IAST: Mārkaṇḍeya Purāṇa) is a Sanskrit text of Hinduism, and one of the eighteen major Puranas. The text's title Markandeya refers to a sage in Hindu literature who is the central character in two legends, one linked to Shiva and other to Vishnu. The Markandeya text is one of the Puranas that lacks a sectarian presentation of ideas in favor of any particular god, and it is rare to read any deity being invoked or deity prayers in the entire text.

The Markandeya Purana is probably one of the oldest in Purana genre of Hindu Literature, among the most interesting and important, states Ludo Rocher. It is famous for including the Devi Mahatmya within it, the oldest known treatise on Devi (Goddess) as the Supreme Truth and Creator of the Universe. The text is considered as a central text of the Hindu Goddess-related Shaktism tradition, with an extraordinary expression of reverence for the feminine. The Markandeya Purana's Devi Mahatmya is often ranked in some Hindu traditions to be as important as the Bhagavad Gita.

The Devi Bhagavata Purana (Sanskrit: देवी भागवतपुराणम्, devī bhāgavatapurāṇam), also known as the Devi Purana or simply Devi Bhagavatam, is one of the major Puranas of Hinduism. Composed in Sanskrit, the text is considered a Mahapurana for Devi worshippers (Shaktas), while others classify it as an Upapurana instead. It promotes bhakti (devotion) towards Mahadevi, integrating themes from the Shaktadvaitavada tradition (a syncretism of Samkhya and Advaita Vedanta). While this is generally regarded as a Shakta Purana, some scholars such as Dowson have also interpreted this Purana as a Shaiva Purana.

The Purana consists of twelve cantos with 318 chapters. Along with the Devi Mahatmya, it is one of the works in Shaktism, a tradition within Hinduism that reveres Devi or Shakti (Goddess) as the primordial creator of the universe, and as Brahman (ultimate truth and reality). It celebrates the divine feminine as the origin of all existence: as the creator, the preserver and the destroyer of everything, as well as the one who empowers spiritual liberation. While all major Puranas of Hinduism mention and revere the Goddess, this text centers around her as the primary divinity. The underlying philosophy of the text is Advaita Vedanta-style monism combined with the devotional worship of Shakti. It is believed that the text was spoken by Vyasa to King Janamejaya, the son of Parikshit.

Kali (/ˈkɑːliː/; Sanskrit: काली, IAST: Kālī), also called Kalika, is a major goddess in Hinduism, primarily associated with time, death and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who provide liberating knowledge. Of the numerous Hindu goddesses, Kali is held as the most famous. She is the preeminent deity in the Hindu tantric and the Kalikula worship traditions, and is a central figure in the goddess-centric sects of Hinduism as well as in Shaivism. Kali is chiefly worshipped as the Divine Mother, Mother of the Universe, and Divine feminine energy.

The origins of Kali can be traced to the pre-Vedic and Vedic era goddess worship traditions in the Indian subcontinent. Etymologically, the term Kali refers to one who governs time or is black. The first major appearance of Kali in the Sanskrit literature was in the sixth-century CE text Devi Mahatmya. Kali appears in many stories, with the most popular one being when she manifests as personification of goddess Durga's rage to defeat the demon Raktabija. The terrifying iconography of Kali makes her a unique figure among the goddesses and symbolises her embracement and embodiment of the grim worldly realities of blood, death and destruction.

In Hinduism, in the Devi Mahatmya, Chanda and Munda are asuras (demons) in the service of demons Shumbha and Nishumbha. One day, they set their eyes upon Parvati and were overwhelmed by her beauty. They carried reports of this goddess to Shumbha. Shumbha desired to marry her. After the death of his lieutenant Dhumralochana at the hands of Devi, Shumbha sent Chanda and Munda to fight her, with orders to bring her to him by force. After Chanda and Munda approached the Devi, she turned black and Kali sprung from her forehead and killed them. Then, since she had slain Chanda and Munda, the Devi gave the name "Chamunda" to Kali. Afterwards, the demon Raktabīja was sent by the demons, but was also slain by Goddess Kali.

According to Skanda Purana Purana, Chanda and Munda also worshipped Surya.