Detroit Institute of Arts in the context of C. Howard Crane


Detroit Institute of Arts in the context of C. Howard Crane

⭐ Core Definition: Detroit Institute of Arts

The Detroit Institute of Arts (DIA) is an art museum in Midtown Detroit, Detroit, Michigan. It has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers 658,000 square feet (61,100 m) with a major renovation and expansion project completed in 2007 that added 58,000 square feet (5,400 m). The DIA collection is regarded as among the top six museums in the United States with an encyclopedic collection which spans the globe from ancient Egyptian and European works to contemporary art. Its art collection is valued in billions of dollars, up to $8.1 billion USD according to a 2014 appraisal. The DIA campus is located in Detroit's Cultural Center Historic District, about 2 miles (3.2 km) north of the downtown area, across from the Detroit Public Library near Wayne State University.

The museum building is highly regarded by architects. The original building, designed by Paul Philippe Cret, is flanked by north and south wings with the white marble as the main exterior material for the entire structure. The campus is part of the city's Cultural Center Historic District listed in the National Register of Historic Places. The museum's first painting was donated in 1883 and its collection consists of over 65,000 works. With about 677,500 visitors annually for 2015, the DIA is among the most visited art museums in the world. The Detroit Institute of Arts hosts major art exhibitions; it contains a 1,150-seat theatre designed by architect C. Howard Crane, a 380-seat hall for recitals and lectures, an art reference library, and a conservation services laboratory.

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Detroit Institute of Arts in the context of Artemisia Gentileschi

Artemisia Lomi Gentileschi (US: /ˌɛntɪˈlɛski, -tˈ-/ JEN-til-ESK-ee, -⁠teel-; Italian: [arteˈmiːzja ˈlɔːmi dʒentiˈleski]; 8 July 1593 – after January 1654) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Gentileschi worked as an expatriate painter in the court of Charles I of England from 1638 to 1642, but she is thought to have fled the country in the early phases of the English Civil War. Her whereabouts over the following years are unknown, but she resurfaced in Naples during 1649. Her last known letter to one of her mentors was dated to 1650 and it indicates that she was still working as an artist. Her time of death is disputed, but her last known commission was in January 1654.

Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best-known subjects are Susanna and the Elders (particularly 1610 version in Schloss Weißenstein, Pommersfelden), Judith Slaying Holofernes (her 1614–1620 version is in the Uffizi gallery), and Judith and Her Maidservant (her 1625 work is in the Detroit Institute of Arts).

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Detroit Institute of Arts in the context of Cornelis Vroom

Cornelis Hendriksz Vroom (1591, Haarlem - buried 16 September 1661, Haarlem) was a landscape painter during the Dutch Golden Age.

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Detroit Institute of Arts in the context of Detroit Industry Murals

The Detroit Industry Murals (1932–1933) are a series of frescoes by the Mexican artist Diego Rivera, consisting of twenty-seven panels depicting industry at the Ford Motor Company and in Detroit. Together they surround the interior Rivera Court in the Detroit Institute of Arts. Painted between 1932 and 1933, they were considered by Rivera to be his most successful work. On April 23, 2014, the Detroit Industry Murals were designated by the Department of Interior as a National Historic Landmark.

The two main panels on the North and South walls depict laborers working at Ford Motor Company's River Rouge Plant. Other panels depict advances made in various scientific fields, such as medicine and new technology. The series of murals, taken as a whole, expresses the idea that all actions and ideas are one.

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Detroit Institute of Arts in the context of Detroit Public Library

The Detroit Public Library is the municipal public library system of the City of Detroit in Michigan, United States. It is the second largest library system in the U.S. state of Michigan by volumes held (after the University of Michigan Library) and the 12th-largest public library system in the United States.

The library system is composed of the Main Library on Woodward Avenue, which houses the library's administration offices, and 23 branch libraries across the city of Detroit. The Main Library, part of Detroit's Cultural Center Historic District listed on the National Register of Historic Places, sits adjacent to Wayne State University and across from the Detroit Institute of Arts.

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Detroit Institute of Arts in the context of Tourism in metropolitan Detroit

Tourism in metropolitan Detroit, Michigan is a significant factor for the region's culture and for its economy, comprising nine percent of the area's two million jobs. About 19 million people visit Metro Detroit spending an estimated 6 billion in 2019. In 2009, this number was about 15.9 million people, spending an estimated $4.8 billion. Detroit is one of the largest American cities and metropolitan regions to offer casino resort hotels. Leading multi-day events throughout Metro Detroit draw crowds of hundreds of thousands to over three million people. More than fifteen million people cross the highly traveled nexus of the Ambassador Bridge and the Detroit-Windsor Tunnel annually. Detroit is at the center of an emerging Great Lakes Megalopolis. An estimated 46 million people live within a 300-mile (480 km) radius of Metro Detroit.

Detroit's unique culture, distinctive architecture, and revitalization and urban renewal efforts in the 21st century have given Detroit increased prominence as a tourist destination in recent years. The New York Times listed Detroit in its list of 52 Places to Go in 2017, while travel guide publisher Lonely Planet named Detroit the second-best city in the world to visit in 2018. In 2022, Detroit was featured in Time's The World's Greatest Places list.

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Detroit Institute of Arts in the context of Judith and Her Maidservant (Gentileschi, Detroit)

Judith and Her Maidservant is one of four paintings by the Italian baroque artist Artemisia Gentileschi that depicts the biblical story of Judith and Holofernes. This particular work, executed in about 1623 to 1625, now hangs in the Detroit Institute of Arts. The narrative is taken from the deuterocanonical Book of Judith, in which Judith seduces and then murders the general Holofernes. This precise moment illustrates the maidservant Abra wrapping the severed head in a bag, moments after the murder, while Judith keeps watch. The other three paintings are now shown in the Museo di Capodimonte in Naples, the Palazzo Pitti in Florence, and the Musée de la Castre in Cannes.

The 2001 exhibition catalogue on Artemisia Gentileschi and her father Orazio remarked that "the painting is generally recognized as Artemisia's finest work". Others have concurred, and the art historian Letizia Treves concluded that, with this painting, "Artemisia rightly takes her place among the leading artists of the Italian Baroque."

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Detroit Institute of Arts in the context of Nightmare

A nightmare, also known as a bad dream, is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety, disgust or sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia.

Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares.

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