Desktop publishing in the context of Content (media)


Desktop publishing in the context of Content (media)

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⭐ Core Definition: Desktop publishing

Desktop publishing (DTP) is the creation of documents using dedicated software on a personal ("desktop") computer. It was first used almost exclusively for print publications, but now it also assists in the creation of various forms of online content. Desktop publishing software can generate page layouts and produce text and image content comparable to the simpler forms of traditional typography and printing. This technology allows individuals, businesses, and other organizations to self-publish a wide variety of content, from menus to magazines to books, without the expense of commercial printing.

Desktop publishing often requires the use of a personal computer and WYSIWYG page layout software to create documents for either large-scale publishing or small-scale local printing and distribution – although non-WYSIWYG systems such as TeX and LaTeX are also used, especially in scientific publishing. Originally, desktop publishing methods provided more control over design, layout, and typography than word processing software but the latter has evolved to include most, if not all, capabilities previously available only with dedicated desktop publishing software.

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Desktop publishing in the context of Point (typography)

In typography, the point is the smallest unit of measure. It is used for measuring font size, leading, and other items on a printed page. The size of the point has varied throughout printing's history. Since the 18th century, the size of a point has been between 0.18 and 0.4 millimeters. Following the advent of desktop publishing in the 1980s and 1990s, digital printing has largely supplanted the letterpress printing and has established the desktop publishing (DTP) point as the de facto standard. The DTP point is defined as 172 of an inch (or exactly 0.3527 mm) and, as with earlier American point sizes, is considered to be 112 of a pica.

In metal type, the point size of a font describes the height of the metal body on which that font's characters were cast. In digital type, letters of a computer font are designed around an imaginary space called an em square. When a point size of a font is specified, the font is scaled so that its em square has a side length of that particular length in points. Although the letters of a font usually fit within the font's em square, there is not necessarily any size relationship between the two, so the point size does not necessarily correspond to any measurement of the size of the letters on the printed page.

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Desktop publishing in the context of Electronic media

Electronic media are media that use electronics or electromechanical means for the audience to access the content. This is in contrast to static media (mainly print media), which today are most often created digitally, but do not require electronics to be accessed by the end user in the printed form. The primary electronic media sources familiar to the general public are video recordings, audio recordings, multimedia presentations, slide presentations, CD-ROM and online content. Most new media are in the form of digital media. However, electronic media may be in either analogue electronics data or digital electronic data format.

Although the term is usually associated with content recorded on a storage medium, recordings are not required for live broadcasting and online networking.

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Desktop publishing in the context of Digital printing

Digital printing is a method of printing from a digital-based image directly to a variety of media. It usually refers to professional printing where small-run jobs from desktop publishing and other digital sources are printed using large-format and/or high-volume laser or inkjet printers.

Digital printing has a higher cost per page than more traditional offset printing methods, but this price is usually offset by avoiding the cost of all the technical steps required to make printing plates. It also allows for on-demand printing, short turnaround time, and even a modification of the image (variable data) used for each impression. The savings in labor and the ever-increasing capability of digital presses means that digital printing is reaching the point where it can match or supersede offset printing technology's ability to produce larger print runs of several thousand sheets at a low price.

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Desktop publishing in the context of Typographic unit

Typographic units are the units of measurement used in typography or typesetting. Traditional typometry units are different from familiar metric units because they were established in the early days of printing. Though most printing is digital now, the old terms and units have persisted.

Even though these units are all very small, across a line of print they add up quickly. Confusions such as resetting text originally in type of one unit in type of another will result in words moving from one line to the next, resulting in all sorts of typesetting errors (viz. rivers, widows and orphans, disrupted tables, and misplaced captions). Before the popularization of desktop publishing, type measurements were done with a tool called a typometer.

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Desktop publishing in the context of Blue pencil (editing)

A blue pencil, also known as a checking pencil, is a two-color pencil traditionally used by an editor to correct a written copy. The blue end is typically Prussian blue, and the red end is typically a warm vermilion red.They are most often half red and half blue, but some are 70% red and 30% blue. An editor-in-chief would use a blue colored pencil to make proofreading marks and final notes on manuscripts before sending it to be typeset and published. The pencils and their blue excisions became associated with the editing process and editorial oversight.

Since the introduction of desktop publishing, editing is typically done on computer files and without literal blue pencils. They continue to be used in the Japanese newspaper industry and elementary schools in parts of Europe. A different type of non-photo blue pencil is used by some comics artists for different purposes.

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Desktop publishing in the context of Phototypesetting

Phototypesetting is a method of setting type which uses photography to make columns of type on a scroll of photographic paper.It has been made obsolete by the popularity of the personal computer and desktop publishing which gave rise to digital typesetting.

The first phototypesetters quickly project light through a film negative of an individual character in a font, then through a lens that magnifies or reduces the size of the character onto photographic paper or film, which is collected on a spool in a light-proof canister. The paper or film is then fed into a processor, a machine that pulls the paper or film strip through two or three baths of chemicals, from which it emerges ready for paste-up or film make-up. Later phototypesetting machines used other methods, such as displaying a digitised character on a CRT screen. The results of this process are then transferred onto printing plates which are used in offset printing.

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Desktop publishing in the context of Macintosh 128K

The Macintosh, later rebranded as the Macintosh 128K, is the original Macintosh personal computer from Apple. It is the first successful mass-market all-in-one desktop personal computer with a graphical user interface, built-in screen and mouse. It was pivotal in establishing desktop publishing as a general office function. The motherboard, a 9 in (23 cm) CRT monochrome monitor, and a floppy drive are in a beige case with an integrated carrying handle; it has a keyboard and single-button mouse.

The Macintosh was introduced by a television commercial titled "1984" during Super Bowl XVIII on January 22, 1984, directed by Ridley Scott. Sales were strong at its initial release on January 24, 1984, at US$2,495 (equivalent to $7,600 in 2024), and reached 70,000 units on May 3, 1984. Upon the release of its successor, the Macintosh 512K, it was rebranded as the Macintosh 128K. The computer's model number is M0001.

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Desktop publishing in the context of PostScript

PostScript (PS) is a page description language and dynamically typed, stack-based programming language. It is most commonly used in the electronic publishing and desktop publishing realm, but as a Turing complete programming language, it can be used for many other purposes as well. PostScript was created at Adobe Systems by John Warnock, Charles Geschke, Doug Brotz, Ed Taft and Bill Paxton from 1982 to 1984. The most recent version, PostScript 3, was released in 1997.

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Desktop publishing in the context of HP LaserJet 4

The HP LaserJet 4 (abbreviated sometimes to LJ4 or HP4) is a group of monochrome laser printers produced in the early to mid-1990s as part of the LaserJet series by Hewlett-Packard (HP). The 4 series has various models, including the standard LaserJet 4 for business use, the 4L for personal use and the 4P for small businesses. Additional models included the 4Si model, created as a heavy-duty business printer, and the 4V model, a B-size printer for desktop publishing and graphic artists. There are also PostScript variants of these machines with the '4M' designation, where M stands for, but is not limited to, usage with an Apple Macintosh. Hewlett-Packard also released an upgraded version of the LaserJet 4/4M known as the 4 Plus ('4+')/4M Plus ('4M+').

The LaserJet 4, especially the 4/4M/4+/4M+ models, have become known for their durability, mainly due to their reliable construction, as well as the printers built-in PCL (and optional PostScript) printer language support which is still used in computers to this day. Hewlett-Packard dominated the laser printing sector during this time in part due to their reliability, relatively affordable pricing, and the spread of LaserJet 4 models from personal use up to heavy business use.

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Desktop publishing in the context of Adobe InDesign

Adobe InDesign is a desktop publishing and page layout designing software application produced by Adobe and first released in 1999. It can be used to create works such as posters, flyers, brochures, magazines, newspapers, presentations, books and ebooks. InDesign can also publish content suitable for tablet devices in conjunction with Adobe Digital Publishing Suite. Graphic designers and production artists are the principal users.

InDesign is the successor to PageMaker, which Adobe acquired by buying Aldus Corporation in late 1994. (Freehand, Aldus's competitor to Adobe Illustrator, was licensed from Altsys, the maker of Fontographer.) By 1998, PageMaker had lost much of the professional market to the comparatively feature-rich QuarkXPress version 3.3, released in 1992, and version 4.0, released in 1996. In 1999, Quark announced its offer to buy Adobe and to divest the combined company of PageMaker to avoid problems under United States antitrust law. Adobe declined Quark's offer and continued to develop a new desktop publishing application. Aldus had begun developing a successor to PageMaker, code-named "Shuksan". Later, Adobe code-named the project "K2", and Adobe released InDesign 1.0 in 1999.

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Desktop publishing in the context of LibreOffice Writer

LibreOffice Writer is the free and open-source word processor and desktop publishing component of the LibreOffice suite and is a fork of OpenOffice.org Writer. Writer is a word processor similar to Microsoft Word and Corel's WordPerfect with many similar features, and file format compatibility.

LibreOffice Writer is released under the Mozilla Public License v2.0.

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Desktop publishing in the context of TIFF

Tag Image File Format or Tagged Image File Format, commonly known by the abbreviations TIFF or TIF, is an image file format for storing raster graphics images, popular among graphic artists, the publishing industry, and photographers.TIFF is widely supported by scanning, faxing, word processing, optical character recognition, image manipulation, desktop publishing, and page-layout applications.

The format was created by Stephen Carlsen, an engineer at Aldus Corporation, for use in desktop publishing. It published the latest version 6.0 in 1992, subsequently updated with an Adobe Systems copyright after the latter acquired Aldus in 1994. Several Aldus or Adobe technical notes have been published with minor extensions to the format, and several specifications have been based on TIFF 6.0, including TIFF/EP (ISO 12234-2), TIFF/IT (ISO 12639), TIFF-F (RFC 2306) and TIFF-FX (RFC 3949).

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