Delilah in the context of Master ES


Delilah in the context of Master ES

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⭐ Core Definition: Delilah

Delilah (/dɪˈllə/ dil-EYE-lə; Hebrew: דְּלִילָה, romanizedDəlīlā, lit.'delicate'; Arabic: دليلة, romanizedDalīlah; Greek: Δαλιδά, romanizedDalidá) is a woman mentioned in the sixteenth chapter of the Book of Judges in the Hebrew Bible. She is loved by Samson, a Nazirite who possesses great strength and serves as the final Judge of Israel. Delilah is bribed by the lords of the Philistines to discover the source of his strength. After three failed attempts at doing so, she finally goads Samson into telling her that his vigor is derived from his hair. As he sleeps, Delilah calls a servant to cut Samson's hair, thereby enabling her to turn him over to the Philistines.

Delilah has been the subject of both rabbinic and Christian commentary; rabbinic literature identifies her with Micah's mother in the biblical narrative of Micah's Idol, while some Christians have compared her to Judas Iscariot, the man who betrayed Jesus. Scholars have noted similarities between Delilah and other women in the Bible, such as Jael and Judith, and have discussed the question of whether the story of Samson's relationship with Delilah displays a negative attitude towards foreigners. Notable depictions of Delilah include John Milton's closet drama Samson Agonistes and Cecil B. DeMille's 1949 Hollywood film Samson and Delilah. Her name has become associated with treacherous and voluptuous women.

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👉 Delilah in the context of Master ES

Master E. S. (c. 1420 – c. 1468; previously known as the Master of 1466) is an unidentified German engraver, goldsmith, and printmaker of the late Gothic period. He was the first major German artist of old master prints and was greatly copied and imitated. The name assigned to him by art historians, Master E. S., is derived from the monogram, E. S., which appears on eighteen of his prints (variants appear on others). The title, Master, is used for unidentified artists who operated independently. He was probably the first printmaker to place his initials on his work.

Remaining signed works by E. S. indicate that he was active in printmaking from 1450 to 1467, the latest date to appear on one of his prints. After this date, he is presumed to have died. He was the most distinguished German engraver before Martin Schongauer.

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Delilah in the context of Interfaith marriage in Judaism

Interfaith marriage in Judaism (also called mixed marriage or intermarriage) has historically been viewed with strong disapproval by Jewish leaders and remains a contentious issue within the Jewish community. According to Halakha (Jewish law), as derived from the Talmud, marriage between a Jew and a non-Jew is both prohibited and considered void under Jewish law. The Haskalah influenced more diverse perspectives on interfaith marriage.

A 2020 survey conducted by the Pew Research Center in the United States reported that 42% of married American Jewish respondents had a non-Jewish spouse. Among those who married after 2010, the intermarriage rate was 61%, rising to 72% when excluding Orthodox Jews from the data.

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Delilah in the context of Samson and Delilah (opera)

Samson and Delilah (French: Samson et Dalila), Op. 47, is a grand opera in three acts and four scenes by Camille Saint-Saëns to a French libretto by Ferdinand Lemaire. It was first performed in Weimar at the Grossherzogliches (Grand Ducal) Theater (now the Staatskapelle Weimar) on 2 December 1877 in a German translation.

The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "Printemps qui commence" ("Spring begins") and "Mon cœur s'ouvre à ta voix" ("My heart opens itself to your voice", also known as "Softly awakes my heart"), the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire.

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