Delfini (family) in the context of "Ca' Dolfin Tiepolos"

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⭐ Core Definition: Delfini (family)

The Delfin family (Dolfin in venician, sometimes Italianized as Delfin, Delfino, Delfini, and Dolfini) is a thousand-year-old noble family originally from Venice, whose origins date back to the medieval period because they were present even before the Serrata del Maggior Consiglio of 1297. Already included in the patriciate as an old house and one of the twelve apostolic families, the founders of the Venetian state, it is considered one of the richest, most powerful, and oldest in its history.

Members of the family distinguished themselves for their role in the political and military institutions of the Republic, where they acquired great prestige. One of these was, for example, Giovanni Dolfin, who served as the 56th Doge of the Republic of Venice, the only member of the family. Numerous other members of the family were men of the church in the service of the Pope as bishops, patriarchs, and cardinals. Over the centuries, the family's descendants held important political roles in the Republic, such as procurators of Saint Mark and governors of cities and lands under Venetian rule, numerous members of the Quarantia and the Senate, land and sea generals, and diplomatic roles such as bailiffs and ambassadors for most countries in continental Europe.

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👉 Delfini (family) in the context of Ca' Dolfin Tiepolos

The Ca' Dolfin Tiepolos are a series of ten oil paintings made c.1726–1729 by Giovanni Battista Tiepolo for the main reception room or salone of the Palazzo Ca' Dolfin [de], the palazzo of the patrician Dolfin family (sometimes spelled Delfini, Delfino, or Delfin) in Venice. The paintings are theatrical depictions of events from the history of Ancient Rome, with a typically Venetian emphasis on drama and impact rather than historical accuracy. They were painted on shaped canvases and set into the architecture with frescoed surrounds.

The Tarantine Triumph was the first work completed, depicting the triumph awarded to Manius Curius Dentatus after defeating Pyrrhus of Epirus in the Battle of Beneventum, the last battle of the Pyrrhic War in 275 BC, at which captured elephants were first seen in Rome. The Triumph of Marius was the last completed, depicting the triumph awarded to Gaius Marius after defeating Jugurtha of Numidia in the Jugurthine War: it is dated 1729, and includes a self-portrait of Tiepolo on the left. The differences in style and composition between the works demonstrate Tiepolio's rapid development as a painter.

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