Delay (audio effect) in the context of "Effects pedals"

Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist school of composition. Influenced by jazz and Indian classical music, his work became notable for its innovative use of repetition, tape music techniques, improvisation, and delay systems. His best known works are the 1964 composition In C and the 1969 album A Rainbow in Curved Air, both considered landmarks of minimalism and important influences on experimental music, rock, and contemporary electronic music. Subsequent works such as Shri Camel (1980) explored just intonation.

Raised in Redding, California, Riley began studying composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with both the San Francisco Tape Music Center and Young's New York collective, the Theatre of Eternal Music. A three-record deal with CBS in the late 1960s brought his work to wider audiences. In 1970, he began intensive studies under Hindustani singer Pandit Pran Nath, whom he often accompanied in performance. He has collaborated frequently throughout his career, most extensively with chamber ensemble the Kronos Quartet and his son, guitarist Gyan Riley.

Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.

Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Hopeton "Scientist" Brown, Lee "Scratch" Perry, Errol Thompson and others beginning in the late 1960s. Augustus Pablo, who collaborated with many of these producers, is credited with bringing the distinct-sounding melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall scene were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects.

Flanging /ˈflændʒɪŋ/ is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect.

Part of the output signal is usually fed back to the input (a re-circulating delay line), producing a resonance effect that further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound.

An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.

Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces.

Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources. The album led to the emergence of a style known as "eccojams", which later influenced the internet microgenre vaporwave and came to be regarded as one of its early progenitors.

Prior to Eccojams Vol. 1's release, Lopatin posted a series of videos that he called "eccojams" to a YouTube channel named "sunsetcorp". The album was released under the label The Curatorial Club in August 2010 on 100 cassette tapes. By the time an official remastered version was released for digital download in November 2016, recognition for Eccojams Vol. 1 had grown, with the original tapes selling on Discogs at three-digit prices.

David Howell Evans (born 8 August 1961), known by his stage name the Edge or simply Edge, is an Irish and British musician, singer, and songwriter. He is best known as the lead guitarist, keyboardist, and backing vocalist of the rock band U2. A member of the group since its inception, he has recorded 15 studio albums with them as well as one solo record. His understated style of guitar playing, a signature of U2's music, is distinguished by chiming timbres, use of rhythmic delay, drone notes, harmonics, and an extensive use of effects units.

Born in England to Welsh parents and raised in Ireland, the Edge formed the band that would become U2 with his classmates at Mount Temple Comprehensive School and his elder brother Dik in 1976. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most successful acts in popular music, with albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, the Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, the Edge has also played keyboards, produced their records Zooropa (1993) and Songs of Surrender (2023), and occasionally served as co-lyricist. The Edge met his second wife, Morleigh Steinberg, through her collaborations with the band.