Deconstruction in the context of "LGBT studies"

Continental philosophy is a group of Western philosophies first prominent in 20th-century continental Europe that derive from a broadly Kantian tradition of focusing on the individual and society. Continental philosophy includes German idealism, phenomenology, philosophical pessimism, existentialism (and its antecedents, such as the thought of Kierkegaard and Nietzsche), hermeneutics, structuralism, post-structuralism, deconstruction, French feminism, psychoanalytic theory, posthumanism, speculative realism, and the critical theory of the Frankfurt School as well as some Freudian, Hegelian, and Western Marxist views.

There is no academic consensus on the definition of continental philosophy. Prior to the twentieth century, the term "continental" was used broadly to refer to philosophy from continental Europe. A slightly narrower use of the term originated among English-speaking philosophers since the second half of the 20th century, who use it as a convenient catch-all term to refer to a range of thinkers and traditions outside the movement known as analytic philosophy. The term continental philosophy may mark merely a family resemblance across disparate philosophical views; a similar argument has been made for analytic philosophy.

Jacques Derrida (/dɛrɪˈdɑː/; French: [ʒak dɛʁida]; born Jackie Élie Derrida; 15 July 1930 – 9 October 2004) was a French philosopher. He developed the philosophy of deconstruction, which he utilized in a number of his texts, and which was developed through close readings of the linguistics of Ferdinand de Saussure and Husserlian and Heideggerian phenomenology. He is one of the major figures associated with post-structuralism and postmodern philosophy although he distanced himself from post-structuralism and disavowed the word "postmodernity".

During his career, Derrida published over 40 books, together with hundreds of essays and public presentations. He has had a significant influence on the humanities and social sciences, including philosophy, literature, law, anthropology, historiography, applied linguistics, sociolinguistics, psychoanalysis, music, architecture, and political theory.

Anatomy of Criticism: Four Essays (Princeton University Press, 1957) is a book by Canadian literary critic and theorist Northrop Frye that attempts to formulate an overall view of the scope, theory, principles, and techniques of literary criticism derived exclusively from literature. Frye consciously omits all specific and practical criticism, instead offering classically inspired theories of modes, symbols, myths and genres, in what he termed "an interconnected group of suggestions." The literary approach proposed by Frye in Anatomy was highly influential in the decades before deconstructivist criticism and other expressions of postmodernism came to prominence in American academia in the 1980s.

Frye's four essays are sandwiched between a "Polemical Introduction" and a "Tentative Conclusion." The four essays are titled "Historical Criticism: Theory of Modes", "Ethical Criticism: Theory of Symbols", "Archetypal Criticism: A Theory of Myths", and "Rhetorical Criticism: Theory of Genres."

Neon Genesis Evangelion (Japanese: 新世紀エヴァンゲリオン, Hepburn: Shinseiki Evangerion; lit. 'New Century Evangelion' in Japanese and lit. 'New Beginning Gospel' in Greek), also known as simply Evangelion or Eva, is a Japanese anime television series produced by Gainax and Tatsunoko Production, and directed by Hideaki Anno. It was broadcast on TV Tokyo and its affiliates from October 1995 to March 1996. The story, set in 2015, fifteen years after a worldwide cataclysm in the futuristic fortified city of Tokyo-3, follows Shinji Ikari, a teenage boy who is recruited by his father Gendo Ikari to the mysterious organization Nerv. Shinji is tasked to pilot an Evangelion, a giant biomechanical mecha, to fight and destroy beings known as Angels.

The series has been described as a deconstruction of the mecha genre; it delves into the experiences, emotions, and mental health of the Evangelion pilots and Nerv members as they are called upon to understand the ultimate cause of events and the motives behind human action. The series features archetypal imagery derived from Shinto cosmology and mystical Judeo-Christian religions and traditions, including Midrashic tales and Kabbalah. The psychoanalytic accounts of human behavior put forward by Sigmund Freud and Carl Jung are also prominently featured.

Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist (though in many cases the architects themselves reject the label) include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.

The term does not inherently refer to the style's deconstructed visuals as the English adjective suggests, but instead derives from the movement's foundations in contrast to the Russian Constructivist movement during the First World War that "broke the rules" of classical architecture through the French language.

Différance is a French term coined by Jacques Derrida. Roughly speaking, the method of différance is a way to analyze how signs (words, symbols, metaphors, etc) come to have meanings. It suggests that meaning is not inherent in a sign but arises from its relationships with other signs, a continual process of contrasting with what comes before and later. That is, a sign acquires meaning by being different from other signs. The meaning of a sign changes over time, as new signs keep appearing and old signs keep disappearing. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning.

However, the meaning of a sign is not just determined by the system of signs present currently. Past meanings leave "traces", and possible future meanings "haunt". The meaning of a sign is determined by the interaction between past traces, future haunts, and the system of signs present right now.

Barbara Ellen Johnson (October 4, 1947 – August 27, 2009) was an American literary critic and translator, born in Boston. She was a Professor of English and Comparative Literature and the Fredric Wertham Professor of Law and Psychiatry in Society at Harvard University. Her scholarship incorporated a variety of structuralist and poststructuralist perspectives—including deconstruction, Lacanian psychoanalysis, and feminist theory—into a critical, interdisciplinary study of literature. As a scholar, teacher, and translator, Johnson helped make the theories of French philosopher Jacques Derrida accessible to English-speaking audiences in the United States at a time when they had just begun to gain recognition in France. Accordingly, she is often associated with the "Yale School" of academic literary criticism.

Paul de Man (/dəˈmɑːn/; Dutch: [də mɑn]; December 6, 1919 – December 21, 1983), born Paul Adolph Michel Deman, was a Belgian-born American literary critic and literary theorist. He was known particularly for his importation of German and French philosophical approaches into Anglo-American literary studies and critical theory. Along with Jacques Derrida, he was part of an influential critical movement that went beyond traditional interpretation of literary texts to reflect on the epistemological difficulties inherent in any textual, literary, or critical activity. This approach aroused considerable opposition, which de Man attributed to "resistance" inherent in the difficult enterprise of literary interpretation itself.

After his death, de Man became a subject of further controversy when his history of writing pro-Nazi and anti-Jewish propaganda for the wartime edition of Le Soir, a major Belgian newspaper during German occupation, came to light.