Decadence in the context of Henryk Siemiradzki

Sir Lawrence Alma-Tadema OM, RA, RWS (/ˈælmə ˈtædeɪmə/ AL-mə TAD-ay-mə; born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there.

A painter of mostly classical subjects, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. One of the most popular Victorian painters, Alma-Tadema was admired during his lifetime for his draftsmanship and accurate depictions of Classical antiquity, but his work fell out of fashion after his death, and only since the 1960s has it been appreciated for its importance within Victorian painting.

The history of fascist ideology is long and draws on many sources. Fascists took inspiration from sources as ancient as the Spartans for their focus on racial purity and their emphasis on rule by an elite minority. Researchers have also seen links between fascism and the ideals of Plato, though there are key differences between the two. Italian Fascism styled itself as the ideological successor to Ancient Rome, particularly the Roman Empire. Georg Wilhelm Friedrich Hegel's view on the absolute authority of the state also strongly influenced fascist thinking. The 1789 French Revolution was a major influence insofar as the Nazis saw themselves as fighting back against many of the ideas which it brought to prominence, especially liberalism, liberal democracy and racial equality, whereas on the other hand, fascism drew heavily on the revolutionary ideal of nationalism. The prejudice of a "high and noble" Aryan culture as opposed to a "parasitic" Semitic culture was core to Nazi racial views, while other early forms of fascism concerned themselves with non-racialized conceptions of their respective nations.

Common themes among fascist movements include: authoritarianism, nationalism (including racial nationalism and religious nationalism), hierarchy, elitism, and militarism. Other aspects of fascism – such as a perception of decadence, anti-egalitarianism and totalitarianism – can be seen to originate from these ideas. Roger Griffin has proposed that fascism is a synthesis of totalitarianism and ultranationalism sacralized through a myth of national rebirth and regeneration, which he terms "palingenetic ultranationalism".

Peter Jonathan Hitchens (born 28 October 1951) is an English conservative author, broadcaster, journalist, and commentator. He writes for The Mail on Sunday and was a foreign correspondent reporting from both Moscow and Washington, D.C. Hitchens has contributed to The Spectator, The American Conservative, The Guardian, First Things, Prospect, The Critic and the New Statesman.

Hitchens has authored several books critiquing the erosion of British institutions and values, including The Abolition of Britain (1999), which criticises the social and constitutional revolution under New Labour; The Rage Against God (2010), recounting his intellectual journey from Marxist atheism to faith amid the collapse of the Soviet Union and critiquing the New Atheists; The War We Never Fought (2012), criticising drug culture and challenging the idea that there had been a 'war on drugs' in Britain; and The Phoney Victory (2018), which questions and challenges what Hitchens regards as Britain's national myths about the Second World War's legacy.

"Fin de siècle" (French: [fɛ̃ də sjɛkl] ) is a French term meaning 'end of century', a phrase which typically encompasses both the meaning of the similar English idiom turn of the century and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of fin de siècle often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence."

The term fin de siècle is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recognition in France. The ideas and concerns developed by fin de siècle artists provided the impetus for movements such as symbolism and modernism.

Les Fleurs du mal (French pronunciation: [le flœʁ dy mal]; English: The Flowers of Evil) is a volume of French poetry by Charles Baudelaire.

Les Fleurs du mal includes nearly all of Baudelaire's poetry, written from 1840 until his death in August 1867. First published in 1857, it was important in the symbolist—including painting—and modernist movements. Though it was extremely controversial upon publication, with six of its poems censored due to their immorality, it is now considered a major work of French poetry. The poems in Les Fleurs du mal frequently break with tradition, using suggestive images and unusual forms. They deal with themes relating to decadence and eroticism, particularly focusing on suffering and its relationship to original sin, disgust toward evil and oneself, obsession with death, and aspiration toward an ideal world. Les Fleurs du mal had a powerful influence on several notable French poets, including Paul Verlaine, Arthur Rimbaud, and Stéphane Mallarmé.