Death and Transfiguration in the context of "Alexander Ritter"

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⭐ Core Definition: Death and Transfiguration

Death and Transfiguration (German: Tod und Verklärung), Op. 24, is a tone poem for orchestra by Richard Strauss. Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch.

The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend Alexander Ritter as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".

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Death and Transfiguration in the context of Richard Strauss

Richard Georg Strauss (/strs/; German: [ˈʁɪçaʁt ˈʃtʁaʊs] ; 11 June 1864 – 8 September 1949) was a German composer and conductor known for his tone poems and operas. A leading figure of the late Romantic and early Modern era, and a successor to Richard Wagner and Franz Liszt, he combined, along with his friend Gustav Mahler, subtleties of orchestration with an advanced harmonic style.

His compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was Don Juan, and this was followed by other lauded works of this kind, including Death and Transfiguration, Till Eulenspiegel's Merry Pranks, Also sprach Zarathustra, Don Quixote, Ein Heldenleben, Symphonia Domestica, and An Alpine Symphony. His first opera to achieve international fame was Salome, which used a libretto by Hedwig Lachmann that was a German translation of the French play Salomé by Oscar Wilde. This was followed by several critically acclaimed operas with librettist Hugo von Hofmannsthal: Elektra, Der Rosenkavalier, Ariadne auf Naxos, Die Frau ohne Schatten, Die ägyptische Helena, and Arabella. His last operas, Daphne, Friedenstag, Die Liebe der Danae and Capriccio used libretti written by Joseph Gregor, the Viennese theatre historian. Other well-known works by Strauss include two symphonies, lieder (especially the Four Last Songs), the Violin Concerto in D minor, the Horn Concerto No. 1, Horn Concerto No. 2, his Oboe Concerto and other instrumental works such as Metamorphosen.

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Death and Transfiguration in the context of Ein Heldenleben

Ein Heldenleben (A Hero's Life), Op. 40, is a tone poem by Richard Strauss. The work was completed in 1898. It was his eighth work in the genre, and exceeded any of its predecessors in its orchestral demands. Generally agreed to be autobiographical in nature despite contradictory statements on the matter by the composer, the work contains more than thirty quotations from Strauss's earlier works, including Also sprach Zarathustra, Till Eulenspiegel, Don Quixote, Don Juan, and Death and Transfiguration.

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