David Hume in the context of "Francis Bacon"

Historiography is the study of the methods used by historians in developing history as an academic discipline. By extension, the term historiography is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research, and theoretical approaches to the interpretation of documentary sources. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, of WWII, of the pre-Columbian Americas, of early Islam, and of China—and different approaches to the work and the genres of history, such as political history and social history. Beginning in the nineteenth century, the development of academic history produced a great corpus of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question.

In Europe, the academic discipline of historiography was established in the 5th century BC with the Histories, by Herodotus, who thus established Greek historiography. In the 2nd century BC, the Roman statesman Cato the Elder produced the Origines, which is the first Roman historiography. In Asia, the father and son intellectuals Sima Tan and Sima Qian established Chinese historiography with the book Shiji (Records of the Grand Historian), in the time of the Han Empire in Ancient China. During the Middle Ages, medieval historiography included the works of chronicles in medieval Europe, the Ethiopian Empire in the Horn of Africa, Islamic histories by Muslim historians, and the Korean and Japanese historical writings based on the existing Chinese model. During the 18th-century Age of Enlightenment, historiography in the Western world was shaped and developed by figures such as Voltaire, David Hume, and Edward Gibbon, who among others set the foundations for the modern discipline. In the 19th century, historical studies became professionalized at universities and research centers along with a belief that history was like a science. In the 20th century, historians incorporated social science dimensions like politics, economy, and culture in their historiography.

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

Gilles Louis René Deleuze (18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered to be his magnum opus.

An important part of Deleuze's oeuvre is devoted to the reading of other philosophers: the Stoics, Leibniz, Hume, Kant, Nietzsche, Spinoza, and Bergson. A. W. Moore, citing Bernard Williams's criteria for a great thinker, ranks Deleuze among the "greatest philosophers". Although he once characterized himself as a "pure metaphysician", his work has influenced a variety of disciplines across the humanities, including philosophy, art, and literary theory, as well as movements such as post-structuralism and postmodernism.

In aesthetics, the concept of taste has been the interest of philosophers such as Plato, Hume, and Kant. It is defined by the ability to make valid judgments about an object's aesthetic value. However, these judgments are deficient in objectivity, creating the 'paradox of taste'. The term 'taste' is used because these judgments are similarly made when one physically tastes food.

Criticism of Christianity has a long history that stretches back to the initial formation of the religion in the Roman Empire. Critics have challenged Christian beliefs and teachings, as well as actions taken in the name of the faith, from the Crusades to modern terrorism. The arguments against Christianity include claims that it is a faith of violence, corruption, superstition, polytheism, homophobia, bigotry, pontification, abuses of women's rights, and sectarianism.

In the early years of Christianity, the Neoplatonic philosopher Porphyry emerged as one of the major critics with his book Against the Christians, along with other writers like Celsus and Julian. Porphyry argued that Christianity was based on false prophecies that had not yet materialized. Following the adoption of Christianity by the Roman Empire, dissenting religious voices were gradually suppressed by both governmental and ecclesiastical authorities. Christianity has faced significant theological criticism from thinkers of other Abrahamic religions, particularly including Judaism and Islam. Notably, Maimonides, the renowned rabbi, Jewish philosopher, and Torah scholar of the 12th century, argued that Christian practices and doctrines constituted idolatry and deviated from the strict monotheism (shituf) of Jewish and Muslim theologies. Similarly, Islamic scholars have critiqued Christian beliefs about the Trinity and the divinity of Jesus, viewing these concepts as incompatible with the concept of monotheism. These critiques reflect deep theological disagreements rooted in their shared scriptural traditions and divergent doctrinal interpretations. A millennium later, the Protestant Reformation led to a fundamental split in European Christianity and rekindled critical voices about the Christian faith, both internally and externally. In the 18th century, deist philosophers such as Voltaire and Jean-Jacques Rousseau were critical of Christianity as a revealed religion. With the Age of Enlightenment, Christianity was criticized by major thinkers and philosophers, such as David Hume, Thomas Paine, and the Baron d'Holbach. The central theme of these critiques sought to negate the historical accuracy of the Christian Bible and focused on the perceived corruption of Christian religious authorities. Other thinkers, like Immanuel Kant, offered critiques of traditional arguments for the existence of God, while professing to defend Christian theology on novel grounds.

A Treatise of Human Nature: Being an Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects (1739–40) is a book by Scottish philosopher David Hume, considered by many to be Hume's most important work and one of the most influential works in the history of philosophy. The book has appeared in many editions since the death of the author in 1776.

The Treatise is a classic statement of philosophical empiricism, scepticism, and naturalism. In the introduction Hume presents the idea of placing all science and philosophy on a novel foundation: namely, an empirical investigation into human nature. Impressed by Isaac Newton's achievements in the physical sciences, Hume sought to introduce the same experimental method of reasoning into the study of human psychology, with the aim of discovering the "extent and force of human understanding". Against the philosophical rationalists, Hume argues that the passions, rather than reason, cause human behaviour. He introduces the famous problem of induction, arguing that inductive reasoning and our beliefs regarding cause and effect cannot be justified by reason; instead, our faith in induction and causation is caused by mental habit and custom. Hume defends a sentimentalist account of morality, arguing that ethics is based on sentiment and the passions rather than reason, and famously declaring that "reason is, and ought only to be the slave to the passions." Hume also offers a sceptical theory of personal identity and a compatibilist account of free will.

George Berkeley (/ˈbɑːrkli/ BARK-lee; 12 March 1685 – 14 January 1753), known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland), was an Anglo-Irish philosopher, writer, and clergyman who is regarded as the founder of "immaterialism", a philosophical theory he developed which later came to be known as subjective idealism. He has also been called "the father of idealism" by German philosopher Arthur Schopenhauer. Berkeley played a leading role in the empiricism movement and was one of its pioneers. He was among the most cited philosophers of 18th-century Europe, and his works deeply influenced later thinkers such as Immanuel Kant and David Hume.

In 1709, Berkeley published his first major work An Essay Towards a New Theory of Vision, in which he discussed the limitations of human vision and advanced the theory that the proper objects of sight are not material objects, but light and colour. This foreshadowed his most well-known philosophical work A Treatise Concerning the Principles of Human Knowledge, published in 1710, which, after its poor reception, he rewrote in dialogue form and published under the title Three Dialogues Between Hylas and Philonous in 1713. In this book, Berkeley's views were represented by Philonous (Greek: "lover of mind"), while Hylas ("hyle", Greek: "matter") embodies Berkeley's opponents, in particular John Locke.