Rastafari in the context of "Religious music"

⭐ In the context of religious music, Rastafari is distinguished by its inclusion of which common musical element found across various faiths?

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⭐ Core Definition: Rastafari

Rastafari is an Abrahamic religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of the movement and much diversity exists among practitioners, who are known as Rastafari, Rastafarians, or Rastas.

Rastafari beliefs are based on an interpretation of the Bible. Central to the religion is a monotheistic belief in a single God, referred to as Jah, who partially resides within each individual. Rastas accord key importance to Haile Selassie, Emperor of Ethiopia between 1930 and 1974, who is regarded variously as the Second Coming of Jesus, Jah incarnate, or a human prophet, though the emperor's own religion was Christianity. Rastafari is Afrocentric and focuses attention on the African diaspora, which it believes is oppressed within Western society, or "Babylon". Many Rastas call for this diaspora's resettlement in Africa, a continent they consider the Promised Land, or "Zion". Rastas refer to their practices as "livity", which includes adhering to Ital dietary requirements, wearing their hair in dreadlocks, and following patriarchal gender roles. Communal meetings are known as "groundations", and are typified by music, chanting, discussions, and the smoking of cannabis, the latter regarded as a sacrament with beneficial properties.

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👉 Rastafari in the context of Religious music

Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.

Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (the horn, saxophone, trumpet and variations of such) can be commonly found in Islam and Judaism.

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Rastafari in the context of God in Abrahamic religions

Monotheism—the belief that there is only one deity—is a foundational tenet of the Abrahamic religions, which alike conceive God as the all-powerful and all-knowing deity from whom Abraham received a divine revelation, according to their respective narratives. The most prominent Abrahamic religions are Judaism, Christianity, and Islam. They—alongside Samaritanism, the Druze Faith, the Baháʼí Faith, and Rastafari—all share a common belief in the Abrahamic God. Likewise, the Abrahamic religions share similar features distinguishing them from other categories of religions:

In the Abrahamic tradition, God is one, eternal, omnipotent, omniscient, and the creator of the universe. God is typically referred to with masculine grammatical articles and pronouns only, and is further held to have the properties of holiness, justice, omnibenevolence, and omnipresence. Adherents of the Abrahamic religions believe God is also transcendent, meaning he is outside of both space and time and therefore not subject to anything within his creation, but at the same time a personal God: intimately involved, listening to individual prayer, and reacting to the actions of his creatures.

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Rastafari in the context of Haile Selassie

Haile Selassie I (born Tafari Makonnen or Lij Tafari; 23 July 1892 – 27 August 1975) was Emperor of Ethiopia from 1930 to 1974. He rose to power as the Regent Plenipotentiary of Ethiopia (Enderase) under Empress Zewditu between 1916 and 1930.

Widely considered to be a defining figure in modern Ethiopian history, he is accorded divine importance in Rastafari, an Abrahamic religion that emerged in the 1930s. A few years before he began his reign over the Ethiopian Empire, Selassie defeated Ethiopian army commander Ras Gugsa Welle Bitul, nephew of Empress Taytu Betul, at the Battle of Anchem. He belonged to the Solomonic dynasty, founded by Emperor Yekuno Amlak in 1270.

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Rastafari in the context of Isaac

Isaac is one of the three patriarchs of the Israelites and an important figure in the Abrahamic religions, including Judaism, Samaritanism, Christianity, Islam, the Baháʼí Faith, and Rastafari. Isaac first appears in the Torah, in which he is the son of Abraham and Sarah, the father of Jacob and Esau, and the grandfather of the twelve tribes of Israel.

Isaac's name means "he will laugh", reflecting the laughter, in disbelief, of Abraham and Sarah, when told by God that they would have a child. He is the only patriarch whose name was not changed, and the only one who did not move out of Canaan. According to the narrative, he died aged 180, the longest-lived of the three patriarchs.

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Rastafari in the context of Roots reggae

Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians. It is identified with the life of the ghetto sufferer, and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae.

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