Daniel Chester French in the context of "University status"

Academic art, academicism, or academism, is a style of painting and sculpture produced under the influence of European academies of art. This method extended its influence throughout the Western world over several centuries, from its origins in Italy in the mid-16th century, until its dissipation in the early 20th century. It reached its apogee in the 19th century, after the end of the Napoleonic Wars in 1815. In this period, the standards of the French Académie des Beaux-Arts were very influential, combining elements of Neoclassicism and Romanticism, with Jean-Auguste-Dominique Ingres a key figure in the formation of the style in painting. The success of the French model led to the founding of countless other art academies in several countries. Later painters who tried to continue the synthesis included William-Adolphe Bouguereau, Thomas Couture, and Hans Makart among many others. In sculpture, academic art is characterized by a tendency towards monumentality, as in the works of Auguste Bartholdi and Daniel Chester French.

The academies were established to replace medieval artists' guilds and aimed to systematize the teaching of art. They emphasized the emulation of established masters and the classical tradition, downplaying the importance of individual creativity, valuing instead collective, aesthetic and ethical concepts. By helping raise the professional status of artists, the academies distanced them from artisans and brought them closer to intellectuals. They also played a crucial role in organizing the art world, controlling cultural ideology, taste, criticism, the art market, as well as the exhibition and dissemination of art. They wielded significant influence due to their association with state power, often acting as conduits for the dissemination of artistic, political, and social ideals, by deciding what was considered "official art". As a result, they faced criticism and controversy from artists and others on the margins of these academic circles, and their restrictive and universalist regulations are sometimes considered a reflection of absolutism.

A university (from Latin universitas 'a whole') is an institution of tertiary education and research which awards academic degrees in several academic disciplines. University is derived from the Latin phrase universitas magistrorum et scholarium, which roughly means "community of teachers and scholars". Universities typically offer both undergraduate and postgraduate programs.

The first universities in Europe developed from schools that had been maintained by the Church for the purpose of educating priests. The University of Bologna (Università di Bologna), Italy, which was founded in 1088, is the first university in the sense of:

Alma Mater is a bronze sculpture by Daniel Chester French which is located on the steps of the Low Memorial Library on the campus of Columbia University, in the Morningside Heights neighborhood of Manhattan, New York City. French designed the statue in 1901, and it was installed in September 1903. It is a personification of the alma mater, which represents Columbia in its role as an educational institution; since its installation, the statue has become closely associated with the image of the university.

Alma mater (Latin: alma mater; pl.: almae matres) is an allegorical Latin phrase meaning 'nourishing mother'. It personifies a school that a person has attended or graduated from. The term is related to alumnus, literally meaning 'nursling', which describes a school graduate.

In its earliest usage, alma mater was an honorific title for various mother goddesses, especially Ceres or Cybele. Later, in Catholicism, it became a title for Mary, mother of Jesus. By the early 17th century, the nursing mother became an allegory for universities. Used by many schools in Europe and North America, it has special association with the University of Bologna, whose motto Alma Mater Studiorum ("nurturing mother of studies") emphasizes its role in originating the modern university.

Abraham Lincoln (1920) is a colossal seated figure of the 16th president of the United States, Abraham Lincoln (1809–1865), sculpted by Daniel Chester French (1850–1931) and carved by the Piccirilli Brothers. Located in the Lincoln Memorial, constructed between 1914 and 1922 on the National Mall in Washington, D.C., the statue was unveiled in 1922. The work follows in the nation's Beaux Arts and American Renaissance-style architecture traditions.