Damayantī in the context of "Nishadha Kingdom"

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⭐ Core Definition: Damayantī

Damayanti (Sanskrit: दमयन्ती, romanizedDamayantī) is a heroine in ancient Indian literature, primarily known for her role in the episode of Nalopakhyana, which is embedded within the Vana Parva (the third book) of the epic Mahabharata (c. 400 BCE – 400 CE). She is celebrated for her beauty, intelligence, unwavering love, and steadfast devotion to her husband, Nala, the king of Nishadha kingdom.

Damayanti is the princess of ancient Vidarbha Kingdom and the daughter of King Bhima. She falls in love with Nala after hearing about his virtues from a divine swan. She chooses him in a swayamvara (self-choice ceremony), even rejecting gods who had disguised themselves as Nala. Their happiness is short-lived when Nala, influenced by the malicious deity Kali, loses his kingdom in a game of dice and is forced into exile. Overcome with despair and shame, he abandons Damayanti in the forest. Undeterred, she endures great hardships and eventually reaches her father’s court. Determined to find Nala, she devises a plan to draw him out by organizing a second swayamvara. The plan succeeds, and they are joyfully reunited. Nala then regains his kingdom, and the two are restored as the rightful king and queen of Nishadha.

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Damayantī in the context of Swayamvara

Svayaṃvara (Sanskrit: स्वयंवर lit.'self-choice') is a matrimonial tradition in ancient Indian society where a bride, usually from Kṣatriya (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her suitors. This practice is mainly featured in the two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, though its prevalence and portrayal vary significantly between them.

Origins of Svayaṃvara can be traced back to the Vedic period and few scholars suggest that it emerged from the Gāndharva marriage tradition, diverging from more ritualistic and arranged forms of marriage, and developed as a narrative device within the epics to highlight the heroism and valor of protagonists, aligning with the Kṣatriya ethos of competition and martial prowess. Despite being closely associated with the epics, Svayaṃvara is not listed as a form of marriage in the Dharmaśāstra, a collection of Sanskrit texts on law and conduct. Due to this, Svayaṃvara is sometimes regarded as the ninth form of Hindu marriage.

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