Cynicism (contemporary) in the context of "Ascetic"

A conspiracy theory is an explanation for an event or situation that asserts the existence of a conspiracy (generally by powerful sinister groups, often political in motivation), when other explanations are more probable. The term generally has a negative connotation, implying that the appeal of a conspiracy theory is based in prejudice, emotional conviction, insufficient evidence, and/or paranoia. A conspiracy theory is distinct from a conspiracy; it refers to a hypothesized conspiracy with specific characteristics, including but not limited to opposition to the mainstream consensus among those who are qualified to evaluate its accuracy, such as scientists or historians. As such, conspiracy theories are identified as lay theories.

Conspiracy theories are generally designed to resist falsification either by evidence against them or a lack of evidence for them. They are reinforced by circular reasoning: both evidence against the conspiracy and absence of evidence for it are misinterpreted as evidence of its truth. Psychologist Stephan Lewandowsky observes "the stronger the evidence against a conspiracy, the more the conspirators must want people to believe their version of events." As a consequence, the conspiracy becomes a matter of faith rather than something that can be proven or disproven. Studies have linked belief in conspiracy theories to distrust of authority and political cynicism. Some researchers suggest that conspiracist ideation—belief in conspiracy theories—may be psychologically harmful or pathological. Such belief is correlated with psychological projection, paranoia, and Machiavellianism.

Gregory House is a fictional character and the titular protagonist of the American medical drama series House. Created by David Shore and portrayed by English actor Hugh Laurie, he leads a team of diagnosticians and is the Head of Diagnostic Medicine at the fictional Princeton-Plainsboro Teaching Hospital in Princeton, New Jersey. House's character has been described as a misanthrope, cynic, narcissist, and curmudgeon.

In the series, the character's unorthodox diagnostic approaches, radical therapeutic motives, and stalwart rationality have resulted in much conflict between him and his colleagues. House is also often portrayed as lacking sympathy for his patients, a practice that allows him time to solve ethical enigmas. The character is partly based on Sherlock Holmes. A portion of the show's plot centers on House's habitual use of Vicodin to manage pain stemming from leg infarction involving his quadriceps muscle some years earlier, an injury that forces him to walk with a cane. This dependency is also one of the many parallels to Holmes, who is portrayed as being a habitual user of cocaine and other drugs.

"Fin de siècle" (French: [fɛ̃ də sjɛkl] ) is a French term meaning 'end of century', a phrase which typically encompasses both the meaning of the similar English idiom turn of the century and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of fin de siècle often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence."

The term fin de siècle is commonly applied to French art and artists, as the traits of the culture first appeared there, but the movement affected many European countries. The term becomes applicable to the sentiments and traits associated with the culture, as opposed to focusing solely on the movement's initial recognition in France. The ideas and concerns developed by fin de siècle artists provided the impetus for movements such as symbolism and modernism.

A conspiracy theory is an explanation for an event or situation that asserts the existence of a conspiracy (generally by powerful sinister groups, often political in motivation), when other explanations are more probable. The term generally has a negative connotation, as it can often be based in prejudice, emotional conviction, insufficient evidence, and/or paranoia. A conspiracy theory is distinct from a conspiracy; it refers to a hypothesized conspiracy with specific characteristics, including but not limited to opposition to the mainstream consensus among those who are qualified to evaluate its accuracy, such as scientists or historians. As such, conspiracy theories are identified as lay theories.

Conspiracy theories are generally designed to resist falsification either by evidence against them or a lack of evidence for them. They are reinforced by circular reasoning: both evidence against the conspiracy and absence of evidence for it are misinterpreted as evidence of its truth. Psychologist Stephan Lewandowsky observes "the stronger the evidence against a conspiracy, the more the conspirators must want people to believe their version of events." As a consequence, the conspiracy becomes a matter of faith rather than something that can be proven or disproven. Studies have linked belief in conspiracy theories to distrust of authority and political cynicism. Some researchers suggest that conspiracist ideation—belief in conspiracy theories—may be psychologically harmful or pathological. Such belief is correlated with psychological projection, paranoia, and Machiavellianism.

A dandy is a man who places particular importance upon physical appearance and personal grooming, refined language and leisurely hobbies. A dandy could be a self-made man both in person and persona, who emulated the aristocratic style of life regardless of his middle-class origin, birth, and background, especially during the late 18th and early 19th centuries in Britain.

Early manifestations of dandyism were Le petit-maître (the Little Master) and the musk-wearing Muscadin ruffians of the middle-class Thermidorean reaction (1794–1795). Modern dandyism, however, emerged in stratified societies of Europe during the 1790s revolution periods, especially in London and Paris. Within social settings, the dandy cultivated a persona characterized by extreme posed cynicism, or "intellectual dandyism" as defined by Victorian novelist George Meredith; whereas Thomas Carlyle, in his novel Sartor Resartus (1831), dismissed the dandy as "a clothes-wearing man"; Honoré de Balzac's La fille aux yeux d'or (1835) chronicled the idle life of a model French dandy whose downfall stemmed from his obsessive Romanticism in the pursuit of love, which led him to yield to sexual passion and murderous jealousy.

Film noir (/nwɑːr/; French: [film nwaʁ]) is a style of Hollywood crime drama that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction.

The term film noir, French for "black film" (literal) or "dark film" (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945.