Custom house in the context of Customs (tax)


Custom house in the context of Customs (tax)

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⭐ Core Definition: Custom house

A custom house or customs house was traditionally a building housing the offices for a jurisdictional government whose officials oversaw the functions associated with importing and exporting goods into and out of a country, such as collecting customs duty on imported goods. A custom house was typically located in a seaport or in a city on a major river, with access to an ocean. These cities acted as ports of entry into a country.

Due to advances in electronic information systems, the increased volume of international trade, and the introduction of air travel, custom houses have largely become obsolete. Many custom houses around the world have since been converted for other uses, such as museums or civic buildings.

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Custom house in the context of Hunt Museum

The Hunt Museum (Irish: Iarsmalann Hunt) is a museum located in the Custom House in the city of Limerick, Ireland. It holds a personal collection donated by the Hunt family, it was originally situated in the University of Limerick, before being moved to its present location in Limerick's Georgian custom house in 1997.

Among the museum's collection are works by notable artists and designers such as Pablo Picasso, Jack B. Yeats, and Sybil Connolly as well as distinctive historical items such as the O'Dea Mitre and Crozier.

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Custom house in the context of Bombardment of Casablanca (1907)

The Bombardment of Casablanca (Arabic: قصف الدار البيضاء; French: Le bombardement de Casablanca) was a French naval attack that took place from 5 to 7 August 1907, destroying the Moroccan city of Casablanca. France used mainly artillery fire from armored cruisers to bomb the city and targets in the surrounding area, which caused an estimated 1,500 to 7,000 Moroccan deaths. The bombardment of Casablanca opened a western front to the French conquest of Morocco after Hubert Lyautey's occupation of Oujda in the east earlier that year.

The bombardment came after an attack of tribesmen of the Shawiya opposed to the terms of the Treaty of Algeciras of 1906 to the French presence in the customs house and to the construction of a railroad over a sanctuary, specifically on European employees of the Compagnie Marocaine operating a Decauville train from a quarry in Roches Noires to the Port of Casablanca on 30 July 1907. When the French cruiser Galilée disembarked a landing party of 75 soldiers on 5 August, an insurrection broke out in the city.

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Custom house in the context of Alexander Hamilton U.S. Custom House

The Alexander Hamilton U.S. Custom House (originally the New York Custom House) is a government building, museum, and former custom house at 1 Bowling Green, near the southern end of Manhattan in New York City, New York, United States. Designed by Cass Gilbert in the Beaux-Arts style, it was erected from 1902 to 1907 by the government of the United States as a headquarters for the Port of New York's duty collection operations. The building contains the George Gustav Heye Center museum, the United States Bankruptcy Court for the Southern District of New York, and the New York regional offices of the National Archives. The facade and part of the interior are New York City designated landmarks, and the building is listed on both the New York State Register of Historic Places and the National Register of Historic Places (NRHP) as a National Historic Landmark. It is also a contributing property to the Wall Street Historic District, listed on the NRHP.

The Custom House is a seven-story steel-framed structure with a stone facade and elaborate interiors. The exterior is decorated with nautical motifs and sculptures by twelve artists. The second through fourth stories contain colonnades with Corinthian columns. The main entrance consists of a grand staircase flanked by Four Continents, a set of four statues by Daniel Chester French. The second-story entrance vestibule leads to a transverse lobby, a rotunda, and offices. The rotunda includes a skylight and ceiling murals by Reginald Marsh. The George Gustav Heye Center, a branch of the National Museum of the American Indian, operates on the ground and second stories, while the upper stories contain U.S. government offices.

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