Culture of the United Kingdom in the context of "Novel"

The British Empire comprised the dominions, colonies, protectorates, mandates, and other territories ruled or administered by the United Kingdom and its predecessor states. It began with the overseas possessions and trading posts established by England in the late 16th and early 17th centuries, and colonisation attempts by Scotland during the 17th century. At its height in the 19th and early 20th centuries, it became the largest empire in history and, for a century, was the foremost global power. By 1913, the British Empire held sway over 412 million people, 23 percent of the world population at the time, and by 1920, it covered 35.5 million km (13.7 million sq mi), 24 per cent of the Earth's total land area. As a result, its constitutional, legal, linguistic, and cultural legacy is widespread. At the peak of its power, it was described as "the empire on which the sun never sets", as the sun was always shining on at least one of its territories.

During the Age of Discovery in the 15th and 16th centuries, Portugal and Spain pioneered European exploration of the world, and in the process established large overseas empires. Motivated by the great wealth these empires generated, England, France, and the Netherlands began to establish colonies and trade networks of their own in the Americas and Asia. A series of wars in the 17th and 18th centuries with the Netherlands and France left Britain the dominant colonial power in North America. Britain became a major power in the Indian subcontinent after the East India Company's conquest of Mughal Bengal at the Battle of Plassey in 1757.

Poets' Corner is a section of the southern transept of Westminster Abbey in London, England, where many poets, playwrights, and writers are buried or commemorated.

The first poet interred in Poets' Corner was Geoffrey Chaucer in 1400. William Shakespeare was commemorated with a monument in 1740, over a century after his death. Over the centuries, a tradition has grown up of interring or memorialising people there in recognition of their contribution to British culture. In the overwhelming majority of cases, the honour is awarded to writers.

Theatre of United Kingdom plays an important part in British culture, and the countries that constitute the UK have had a vibrant tradition of theatre since the Renaissance with roots going back to the Roman occupation.

Hadrian's Wall (Latin: Vallum Hadriani; also known as the Roman Wall, Picts' Wall, or Vallum Aelium in Latin) is a former defensive fortification of the Roman province of Britannia, begun in AD 122 in the reign of the Emperor Hadrian. Running from Wallsend on the River Tyne in the east to Bowness-on-Solway in the west of what is now northern England, it was a stone wall with large ditches in front and behind, stretching across the whole width of the island. Soldiers were garrisoned along the line of the wall in large forts, smaller milecastles, and intervening turrets. In addition to the wall's defensive military role, its gates may have been customs posts.

Hadrian's Wall Path generally runs close along the wall. Almost all the standing masonry of the wall was removed in early modern times and used for local roads and farmhouses. None of it stands to its original height, but modern work has exposed much of the footings, and some segments display a few courses of modern masonry reconstruction. Many of the excavated forts on or near the wall are open to the public, and various nearby museums present its history. The largest Roman archaeological feature in Britain, it runs a total of 73 miles (117.5 kilometres). Regarded as a British cultural icon, Hadrian's Wall is one of Britain's major ancient tourist attractions. It was designated a UNESCO World Heritage Site in 1987. The turf-built Antonine Wall of AD 142 in what is now central Scotland, which briefly superseded Hadrian's Wall before being abandoned, was declared a World Heritage Site in 2008.

British national identity is a term referring to the sense of national identity, as embodied in the shared and characteristic culture, languages and traditions, of the British people. It comprises the claimed qualities that bind and distinguish the British people and form the basis of their unity and identity, and the expressions of British culture—such as habits, behaviours, or symbols—that have a common, familiar or iconic quality readily identifiable with the United Kingdom. Dialogue about the legitimacy and authenticity of Britishness is intrinsically tied with power relations and politics; in terms of nationhood and belonging, expressing or recognising one's Britishness provokes a range of responses and attitudes, such as advocacy, indifference, or rejection.

Although the term 'Britishness' "[sprang] into political and academic prominence" only in the late 20th century, its origins lie with the formation of the Kingdom of Great Britain in 1707. It was used with reference to Britons collectively as early as 1682, and the historian Linda Colley asserts that it was after the Acts of Union 1707 that the ethnic groups of Great Britain began to assume a "layered" identity—to think of themselves as simultaneously British but also Scottish, English, and/or Welsh. In this formative period, Britishness was "closely bound up with Protestantism". The Oxford English Dictionary Online dates the first known use of the term Britishness to refer to the state of being British to a June 1857 issue of Putnam's Monthly Magazine.

Anglo-America most often refers to a region in the Americas in which English is the main language and British culture and the British Empire have had significant historical, ethnic, linguistic, and cultural impact. This includes the United States, most of Canada, and some Caribbean countries. Anglo-America is distinct from Latin America, a region of the Americas where Romance languages (e.g., Spanish, Portuguese, and French) are prevalent. The adjective is commonly used, for instance, in the phrase "Anglo-American law", a concept roughly coterminous with common law.

The Department for Culture, Media and Sport (DCMS) is a ministerial department of the Government of the United Kingdom. It holds the responsibility for culture and sport, and some aspects of the media throughout the UK, such as broadcasting. Its main offices are at 100 Parliament Street, occupying part of the building known as Government Offices Great George Street.

It also has responsibility for the tourism, leisure and creative industries (some jointly with the Department for Business and Trade). The department was also responsible for the delivery of the 2012 Olympic Games and Paralympic Games.