Crime fiction in the context of "Mystery fiction"

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⭐ Core Definition: Crime fiction

Crime fiction, detective story, murder mystery, crime novel, mystery novel, and police novel are terms used to describe narratives or fiction that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder. Most crime drama focuses on criminal investigation and does not feature the courtroom. Suspense and mystery are key elements that are nearly ubiquitous to the genre.

It is usually distinguished from mainstream fiction and other genres such as historical fiction and science fiction, but the boundaries are indistinct. Crime fiction has several subgenres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction, and legal thrillers.

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Crime fiction in the context of Literary fiction

Literary fiction—also called serious fiction, high literature, artistic literature, or sometimes just literature, encompasses fiction that is more character-driven than plot-driven, examines the human condition, or is considered serious art by critics. These labels are typically used in contrast to genre fiction, which refers to books that fit into established categories of the book trade and place more value on entertainment and appealing to a mass audience. Literary fiction can also be called non-genre fiction and is often considered to have more artistic merit than popular genre fiction.

Some categories of literary fiction, such as historical fiction, magic realism, autobiographical novels, and encyclopedic novels, are frequently called genres without being considered genre fiction. Some authors are seen as writing literary equivalents or precursors to established genres while still maintaining the division between commercial and literary fiction. Examples include the literary romance of Jane Austen and the speculative fiction of Margaret Atwood. Some critics and genre authors have argued for even greater overlap between literary and commercial fiction, noting that major literary figures have used elements of popular genres—such as science fiction, crime fiction, and romance—to create works of literature. The slipstream genre is sometimes described as falling between the genre fiction and non-genre fiction.

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Crime fiction in the context of Thriller (genre)

Thriller is a genre of fiction with numerous, often overlapping, subgenres, including crime, horror, and detective fiction. Thrillers are characterized and defined by the moods they elicit, giving their audiences heightened feelings of suspense, excitement, surprise, anticipation and anxiety. This genre is well suited to film and television.

A thriller generally keeps its audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element. Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist or hero must overcome.

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Crime fiction in the context of Genre fiction

In the book-trade, genre fiction, also known as formula fiction, or commercial fiction, encompasses fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre. These labels commonly imply that this type of fiction places more value on plot and entertainment than on character development, philosophical themes, or artistic depth. This distinguishes genre fiction from literary fiction.

The main genres are crime, fantasy, romance, science fiction and horror—as well as perhaps Western, inspirational and historical fiction.

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Crime fiction in the context of Detective fiction

Detective fiction is a subgenre of crime fiction and mystery fiction in which an investigator or a detective—whether professional, amateur or retired—investigates a crime, often murder. The detective genre began around the same time as speculative fiction and other genre fiction in the mid-nineteenth century and has remained extremely popular, particularly in novels. Some of the most famous heroes of detective fiction include C. Auguste Dupin, Sherlock Holmes, Kogoro Akechi, Miss Marple and Hercule Poirot. Juvenile stories featuring The Hardy Boys, Nancy Drew, and The Boxcar Children have also remained in print for several decades.

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Crime fiction in the context of J. K. Rowling

Joanne Rowling (/ˈrlɪŋ/ ROH-ling; born 31 July 1965), better known by her pen name J. K. Rowling, is the British novelist who wrote Harry Potter, a seven-volume series about a young wizard. Published from 1997 to 2007, the fantasy novels are the best-selling book series in history, with over 600 million copies sold. They have been translated into 84 languages and have spawned a global media franchise including films and video games. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

Born in Yate, Gloucestershire, Rowling was working as a researcher and bilingual secretary for Amnesty International in 1990 when she conceived the idea for the Harry Potter series. The seven-year period that followed saw the death of her mother, the birth of her first child, divorce from her first husband, and relative poverty until the first novel in the series, Harry Potter and the Philosopher's Stone, was published in 1997. Six sequels followed, concluding with Harry Potter and the Deathly Hallows (2007). By 2008, Forbes had named her the world's highest-paid author.

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Crime fiction in the context of Crime drama

Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense, or noir.

Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre).

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Crime fiction in the context of Hardboiled

Hardboiled (or hard-boiled) fiction is a literary genre that shares some of its characters and settings with crime fiction (especially detective fiction and noir fiction). The genre's typical protagonist is a detective who battles the violence of organized crime that flourished during Prohibition in the United States (1920–1933) and its aftermath, while dealing with a legal system that has become as corrupt as the organized crime itself. Rendered cynical by this cycle of violence, the detectives of hardboiled fiction are often antiheroes. Notable hardboiled detectives include Dick Tracy, Philip Marlowe, Nick Charles, Mike Hammer, Sam Spade, Lew Archer, Slam Bradley, and The Continental Op.

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Crime fiction in the context of Legal thriller

The legal thriller genre is a type of crime fiction genre that focuses on the proceedings of the investigation, with particular reference to the impacts on courtroom proceedings and the lives of characters.

The genre came about in the 16th century with the publication of short stories and novels based on court cases taking place at the time. Some of the novels were later adapted into early television series and film productions during the 1950s.

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