Counter melody in the context of "BWV 1079"

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⭐ Core Definition: Counter melody

In music, a counter-melody (often countermelody) is a sequence of notes, perceived as a melody, written to be played simultaneously with a more prominent lead melody. In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment.

In marches, the counter-melody is often given to the trombones or horns. American composer David Wallis Reeves is credited with this innovation in 1876.

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Counter melody in the context of Chord chart

A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass). In these genres the musicians are expected to be able to improvise the individual notes used for the chords (the "voicing") and the appropriate ornamentation, counter melody or bassline.

In some chord charts, the harmony is given as a series of chord symbols above a traditional musical staff. The rhythmic information can be very specific and written using a form of traditional notation, sometimes called rhythmic notation, or it can be completely unspecified using slash notation, allowing the musician to fill the bar with chords or fills any way they see fit (called comping). In Nashville notation the key is left unspecified on the chart by substituting numbers for chord names. This facilitates on-the-spot key changes to songs. Chord charts may also include explicit parts written in modern music notation (such as a musical riff that the song is dependent on for character), lyrics or lyric fragments, and various other information to help the musician compose and play their part.

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