Cornelis Sebille Roos in the context of "Trippenhuis"

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⭐ Core Definition: Cornelis Sebille Roos

Cornelis Sebille Roos or Cornelis Roos (1754 – 1820) was a Dutch art dealer and inspector of the Nationale Konst-Gallery collection in Huis ten Bosch during the years 1799-1801

Roos was born 10 January 1754 in Amsterdam and baptized six days later in the Walloon church. He became a drawing teacher and manager of Felix Meritis, which he helped found. In 1798 he lived in the left-hand side of the Trippenhuis where he started his art dealership. Many of the paintings he originally purchased have found their way into the collection of the Rijksmuseum. He was friends with Jan Gildemeester and attended the estate sale of his art collection, buying many pieces there that later found their way in the Huis ten Bosch collection. The most notable of these was The Threatened Swan by Jan Asselijn, which became the first painting purchased by the director of the Nationale Konst-Gallery, Alexander Gogel. The painting, which is not dated, was painted before the events which caused it to be marked. It was marked to make it a political allegory of the patriot hero Johan de Witt who was murdered by orangists. Since Roos was known for his patriotic politics, it is quite possible that he marked the painting himself when he bought it in 1800, though the estate sale catalog already mentions that it is an allegory of Johan de Witt.

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Cornelis Sebille Roos in the context of Oranjezaal

The Oranjezaal refers to a painted ballroom in the royal palace Huis ten Bosch in The Hague. It was once, together with its neighboring Chinese room, part of the first national museum of the Netherlands founded in 1800 called the Nationale Konst-Gallery. The supervisor Cornelis Sebille Roos appointed Jan Gerard Waldorp as the first custodian and curator to receive visitors (for 6 stuivers) and explain the collection.

The Oranjezaal or Orange room was commissioned upon the death of Frederick Henry, Prince of Orange in 1647 and was built during the years 1648-1651 by Jacob van Campen under the direction of Constantijn Huygens and Amalia van Solms. The painters were chosen as the best of the Netherlands, north and south, who painted in the Baroque style of Rubens, and were mostly of the Catholic faith. Therefore the total of 31 paintings decorating the room from floor to ceiling, are rather more typical of Flemish Baroque painting than Dutch Golden Age painting. Over a century later the room became part of the first national museum of the Netherlands, but it is not normally open to the public.

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