Constructivist architecture in the context of "Zuev Workers' Club"

The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum, Imaginism, and Neo-primitivism. In Ukraine, many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde.

The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism.

Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favour of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde.

Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music.

Deconstructivism is a postmodern architectural movement which appeared in the 1980s. It gives the impression of the fragmentation of the constructed building, commonly characterised by an absence of obvious harmony, continuity, or symmetry. Its name is a portmanteau of Constructivism and "Deconstruction", a form of semiotic analysis developed by the French philosopher Jacques Derrida. Architects whose work is often described as deconstructivist (though in many cases the architects themselves reject the label) include Zaha Hadid, Peter Eisenman, Frank Gehry, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and Coop Himmelb(l)au.

The term does not inherently refer to the style's deconstructed visuals as the English adjective suggests, but instead derives from the movement's foundations in contrast to the Russian Constructivist movement during the First World War that "broke the rules" of classical architecture through the French language.

The Congrès Internationaux d'Architecture Moderne (CIAM), or International Congresses of Modern Architecture, was an organization founded in 1928 and disbanded in 1959, responsible for a series of events and congresses arranged across Europe by the most prominent architects of the time, with the objective of spreading the principles of the Modern Movement focusing in all the main domains of architecture (such as landscape, urbanism, industrial design, and many others).

A hexagonal window (also Melnikov's or honeycomb window) is a hexagon-shaped window, resembling a bee cell or crystal lattice of graphite. The window can be vertically or horizontally oriented, openable or fixed. It can also be regular or elongately-shaped and can have a separator (mullion).

Typically, the cellular window is used for an attic or as a decorative feature, but it can also be a major architectural element to provide the natural lighting inside buildings. The hexagonal window is relatively rare and associated with such architectural styles as constructivism, functionalism and, occasionally, cubism.

Richard George Rogers, Baron Rogers of Riverside (23 July 1933 – 18 December 2021) was a British-Italian architect noted for his modernist and constructivist designs in high-tech architecture. He was the founder at Rogers Stirk Harbour + Partners, previously known as the Richard Rogers Partnership, until June 2020. After Rogers' retirement and death, the firm rebranded to simply RSHP on 30 June 2022.

Rogers was perhaps best known for his work on the Pompidou Centre in Paris, the Lloyd's building and Millennium Dome, both in London, the Senedd building, in Cardiff, and the European Court of Human Rights building, in Strasbourg. He was awarded the RIBA Gold Medal, the Thomas Jefferson Medal, the RIBA Stirling Prize, the Minerva Medal, and the 2007 Pritzker Prize.

Ilya Alexandrovich Golosov (Russian: Илья Александрович Голосов; 31 July 1883 – 21 January 1945) was an architect from the late Russian Empire and early Soviet Union. A leader of Constructivism in 1925-1931, Ilya Golosov later developed his own style of early stalinist architecture known as postconstructivism. Не was a brother of Panteleimon Golosov.