Constantin Hansen in the context of Golden Age of Danish Painting

The Danish Golden Age (Danish: guldalderen, lit. 'the golden age') covers a period of exceptional creative production in Denmark, especially during the first half of the 19th century. Although Copenhagen had suffered from fires, bombardment and national bankruptcy, the arts took on a new period of creativity catalysed by Romanticism from Germany. The period is probably most commonly associated with the Golden Age of Danish Painting from 1800 to around 1850 which encompasses the work of Christoffer Wilhelm Eckersberg and his students, including Wilhelm Bendz, Christen Købke, Martinus Rørbye, Constantin Hansen and Wilhelm Marstrand, as well as the sculpture of Bertel Thorvaldsen.

It also saw the development of Danish architecture in the Neoclassical style. Copenhagen, in particular, acquired a new look, with buildings designed by Christian Frederik Hansen and Michael Gottlieb Bindesbøll.

The creation of life from clay (or soil, earth, dust, or mud) appears throughout world religions and mythologies, some of the earliest occurring in the creation myths about the origin of man in the cosmology of the ancient Near East. The idea occurs in both biblical cosmology and Quranic cosmology. The clay represents an unformed, chaotic material which is shaped and given form by the gods in a creative process. A related motif is the use of clay to seed or create the world. In southwest Asia, the clay-shaping was cast as a magical act. In the same way that humans would use clay to make terracotta images of their gods, so the gods moulded humans out of clay in their godlike form. They were described as obtaining this material by pinching off pieces of wet mud.

The most famous example of this is in the biblical Book of Genesis (2:7), where Adam is made out of dust, an idea that appears across the Bible (Job 10:9; Psalm 90:3; 104:29; Isaiah 29:16, etc.). The idea is also found in the Epic of Gilgamesh where the goddess Aruru creates Enkidu from clay, in Egyptian mythology where Khmun makes man out of clay, and various Greek texts crediting Prometheus (one of the Titans) with doing the same. Later, the concept would influence art history, such as the impact it had on the work of Giorgio Vasari.