Marie-Françoise Constance Mayer La Martinière (9 March 1775 – 26 May 1821) was a French painter of portraits, allegorical subjects, miniatures and genre works. She had "a brilliant but bitter career."
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👉 Constance Mayer in the context of Daughter
A daughter is a female offspring; a girl or a woman in relation to her parents. Daughterhood is the state, condition or quality of being someone's daughter. The male counterpart is a son. Analogously the name is used in several areas to show relations between groups or elements. From biological perspective, a daughter is a first degree relative. The word daughter also has several other connotations attached to it, one of these being used in reference to a female descendant or consanguinity. It can also be used as a term of endearment coming from an elder.
In patriarchal societies, daughters often have different or lesser familial rights than sons. A family may prefer to have sons rather than daughters and subject daughters to female infanticide. In some societies, it is the custom for a daughter to be 'sold' to her husband, who must pay a bride price. The reverse of this custom, where the parents pay the husband a sum of money to compensate for the financial burden of the woman and is known as a dowry. The payment of a dowry can be found in societies where women do not labour outside the home.
In this Dossier
Constance Mayer in the context of Pierre-Paul Prud'hon
Pierre-Paul Prud'hon (French pronunciation: [pjɛʁ pɔl pʁydɔ̃], 4 April 1758 – 16 February 16, 1823) was a French Neo-classical painter and draughtsman best known in his own time for his allegorical paintings and portraits, now for his drawings. He painted a portrait of both of Napoleon's two wives.
He was an early influence on Théodore Géricault. After 1803 he worked so closely with artist Constance Mayer on many paintings, that it is almost impossible to tell where the contribution of one ends and the other begins.