Conga drum in the context of "Music of Latin America"

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⭐ Core Definition: Conga drum

The conga, also known as tumbadora, is a tall, narrow, single-headed drum from the Congo. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, in which each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.

The origins of the conga drum can be traced back to West and Central Africa, especially regions now known as Congo, Nigeria, and Angola. The modern version of the conga was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be the yuka and makuta (of Bantu origin) and the bembé drums (of Yoruba origin). In Cuba and Latin America, congas are primarily played as hand drums. In Trinidadian calypso and soca, congas are sometimes struck with mallets, while in the Congos, they are often struck with one hand and one mallet.

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Conga drum in the context of Percussion instrument

A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and chordophone.

The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbals and triangle, which are idiophones. However, the section can also contain aerophones, such as whistles and sirens, or a blown conch shell. Percussive techniques can even be applied to the human body itself, as in body percussion. On the other hand, keyboard instruments, such as the celesta, are not normally part of the percussion section, but keyboard percussion instruments such as the glockenspiel and xylophone (which do not have piano keyboards) are included.

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Conga drum in the context of Cuban rumba

Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka, as well as the Spanish-based coros de clave. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), aswell as their contemporary derivatives and other minor styles.

Traditionally performed by poor workers of African descent in streets and solares (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. Cajones (wooden boxes) were used as drums until the early 20th century, when they were replaced by tumbadoras (conga drums). During the genre's recorded history, which began in the 1940s, there have been numerous successful rumba bands such as Los Papines, Los Muñequitos de Matanzas, Clave y Guaguancó, AfroCuba de Matanzas and Yoruba Andabo.

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