Conductor (music) in the context of "Rehearsal"

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⭐ Core Definition: Conductor (music)

Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal.

The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, although in earlier periods of classical music history, leading an ensemble while playing an instrument was common. In Baroque music, the group would typically be led by the harpsichordist or first violinist (concertmaster), an approach that in modern times has been revived by several music directors for music from this period. Conducting while playing a piano or synthesizer may also be done with musical theatre pit orchestras. Instrumentalists may perform challenging works while conducting - for instance, it is not uncommon to see a pianist perform a concerto while also conducting the orchestra. Communication is typically non-verbal during a performance. However, in rehearsals, frequent interruptions allow the conductor to give verbal directions as to how music should be performed.

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In this Dossier

Conductor (music) in the context of Bobby McFerrin

Robert Keith McFerrin Jr. (born March 11, 1950) is an American singer, songwriter, and conductor. His vocal techniques include singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion. He performs and records regularly as an unaccompanied solo vocal artist. He has frequently collaborated with other artists from both the jazz and classical scenes.

McFerrin's song "Don't Worry, Be Happy" is the only acapella track to ever reach No. 1 in the US, which it reached in 1988 and additionally won Song of the Year and Record of the Year honors at the 1989 Grammy Awards. McFerrin has also worked in collaboration with jazz fusion instrumentalists including pianists Chick Corea (of Return to Forever), Herbie Hancock (of The Headhunters), and Joe Zawinul (of Weather Report), drummer Tony Williams, and cellist Yo-Yo Ma.

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Conductor (music) in the context of Synchronization

Synchronization is the coordination of events to operate a system in unison. For example, the conductor of an orchestra keeps the orchestra synchronized or in time. Systems that operate with all parts in synchrony are said to be synchronous or in sync—and those that are not are asynchronous.

Today, time synchronization can occur between systems around the world through satellite navigation signals and other time and frequency transfer techniques.

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Conductor (music) in the context of Orchestra pit

An orchestra pit is an area in a theatre (usually located in a lowered area in front of the stage) in which musicians perform. The orchestra plays mostly out of sight in the pit, rather than on the stage as for a concert, when providing music for forms of theatre that require it (such as opera and ballet) or when incidental music is required. The conductor or director typically stands at the front of the orchestra pit facing the stage.

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Conductor (music) in the context of Cantor (Christianity)

In Christianity, the cantor, female chantress, sometimes called the precentor or the protopsaltes (Greek: πρωτοψάλτης, lit.'first singer'; from Greek: ψάλτης, romanized: psaltes, lit.'singer'), is the chief singer, and usually instructor, employed at a church, with responsibilities for the choir and the preparation of the Mass or worship service. The term is also used for a similar task in Reform Judaism and in Ancient Egypt.

Generally, a cantor must be competent to choose and conduct the vocals for the choir, to start any chant on demand, and to be able to identify and correct the missteps of singers placed under them. A cantor may be responsible for the immediate rendering of the music, showing the course of the melody by movements of the hand(s) (cheironomia), similar to a conductor.

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Conductor (music) in the context of Metronome

A metronome (from Ancient Greek μέτρον (métron) 'measure' and νόμος (nómos) 'law') is a device that produces an audible click or other sound at a uniform interval that can be set by the user, typically in beats per minute (BPM). Metronomes may also include synchronized visual motion, such as a swinging pendulum or a blinking light. Musicians—and others including dancers, athletes, and health professionals—often practise with a metronome to improve their timing, especially the ability to maintain a steady tempo with a regular beat or pulse. Composers and conductors often use numerical metronome markings to communicate their preferred tempos to musicians preparing for a performance.

A type of metronome was among the inventions of the Andalusian polymath Abbas ibn Firnas (810–887). In 1815, the German inventor Johann Maelzel patented a mechanical, wind-up metronome as a tool for musicians, under the title "Instrument/Machine for the Improvement of all Musical Performance, called Metronome". In the 20th century, electronic metronomes and software metronomes were invented.

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Conductor (music) in the context of Palau de les Arts Reina Sofia

Palau de les Arts Reina Sofía (Valencian: Palau de les Arts Reina Sofia; Spanish: Palacio de las Artes Reina Sofía; anglicised as "Queen Sofía Palace of the Arts") is an opera house, performing arts centre, and urban landmark designed by Santiago Calatrava to anchor the northwest end of the City of Arts and Sciences in Valencia, Spain. It opened on 8 October 2005; its first opera staging was of Beethoven's Fidelio on 25 October 2006. Tenor and conductor Plácido Domingo has maintained a special relationship with the Palau since its founding and has established a young singers training program there.

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Conductor (music) in the context of Pietro Mascagni

Pietro Mascagni (7 December 1863 – 2 August 1945) was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, L'amico Fritz and Iris have remained in the repertoire in Europe (especially Italy) since their premieres.

Mascagni wrote fifteen operas, an operetta, several orchestral and vocal works, and also songs and piano music. He enjoyed immense success during his lifetime, both as a composer and conductor of his own and other people's music and created a variety of styles in his operas.

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