Color scheme in the context of "Overglaze enamels"

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Color scheme in the context of Color theory

Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors — namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. Modern color theory is generally referred to as color science. While they both study color and its existence, modern or "traditional" color theory tends to be more subjective and have artistic applications, while color science tends to be more objective and have functional applications, such as in chemistry, astronomy or color reproduction. However, there is much intertwining between the two throughout history, and they tend to aid each other in their own evolutions.

Though, color theory can be considered a science unto itself that uses the relationship between human color perception and the interactions of colors together to build their palettes, schemes, and color mixes. Importantly, color theory relies upon objective standards in-order to be consistent in color mixing and presentation - i.e. to achieve the ideal color and effect, your ratios of colors must be consistent and often exact. As for functional applications, color theory intandem with color science is what allows humans to achieve ideal camouflage, designed paints that disperse more heat, and is often used by theme parks like Disney to achieve their ideal aesthetic.

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Color scheme in the context of Overglaze decoration

Overglaze decoration, overglaze enamelling, or on-glaze decoration, is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse onto the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain.

Many historical styles, for example mina'i ware, Imari ware, Chinese doucai, and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied.

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Color scheme in the context of Monochrome

A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept.

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Color scheme in the context of Color tool

A color picker (also color chooser or color tool) is a graphical user interface widget, usually found within graphics software or online, used to select colors and, in some cases, to create color schemes (the color picker might be more sophisticated than the palette included with the program). Operating systems such as Microsoft Windows or macOS have a system color picker, which can be used by third-party programs (e.g., Adobe Photoshop).

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Color scheme in the context of Corporate identity

A corporate identity or corporate image is the manner in which a corporation, firm or business enterprise presents itself to the public. The corporate identity is typically visualized by branding and with the use of trademarks, but it can also include things like product design, advertising, public relations etc. Corporate identity is a primary goal of corporate communication, aiming to build and maintain company identity.

In general, this amounts to a corporate title, logo (logotype and/or logogram) and supporting devices commonly assembled within a set of corporate guidelines. These guidelines govern how the identity is applied and usually include approved color palettes, typefaces, page layouts, fonts, and others.

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