Colley Cibber in the context of "The Dunciad"

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⭐ Core Definition: Colley Cibber

Colley Cibber (6 November 1671 – 11 December 1757) was an English actor-manager, playwright and Poet Laureate. His colourful memoir An Apology for the Life of Colley Cibber (1740) describes his life in a personal, anecdotal and even rambling style. He wrote 25 plays for his own company at Drury Lane, half of which were adapted from various sources, which led Robert Lowe and Alexander Pope, among others, to criticise his "miserable mutilation" of "crucified Molière [and] hapless Shakespeare".

He regarded himself as first and foremost an actor and had great popular success in comical fop parts, while as a tragic actor he was persistent but much ridiculed. Cibber's brash, extroverted personality did not sit well with his contemporaries, and he was frequently accused of tasteless theatrical productions, shady business methods, and a social and political opportunism that was thought to have gained him the laureateship over far better poets. He rose to ignominious fame when he became the chief target, the head Dunce, of Alexander Pope's satirical poem The Dunciad.

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Colley Cibber in the context of Theatre Royal, Drury Lane

The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The present building, opened in 1812, is the most recent of four theatres that have stood at the location since 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music).

The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. It was initially known as "Theatre Royal in Bridges Street". The theatre's proprietors hired prominent actors who performed at the theatre on a regular basis, including Nell Gwyn and Charles Hart. In 1672, the theatre caught fire, and Killigrew built a larger theatre on the same plot, renamed the "Theatre Royal in Drury Lane", which opened in 1674. This building lasted nearly 120 years, under the leaderships of Colley Cibber, David Garrick and Richard Brinsley Sheridan, the last of whom employed Joseph Grimaldi as the theatre's resident Clown.

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Colley Cibber in the context of Charles Fleetwood (theatre manager)

Charles Fleetwood (died 1747) was an English gentleman with an interest in theatre. He eventually became the manager of the Theatre Royal, Drury Lane, in partnership with Colley Cibber and, sometime later, Charles Macklin.

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Colley Cibber in the context of Richard III (1912 film)

Richard III (also known as The Life and Death of King Richard III) is a 1912 silent film adaptation of William Shakespeare's play, co-directed by French filmmaker André Calmettes and American playwright James Keane, and starring Frederick Warde as the title character. The 55-minute film, an international co-production of France and the United States, was produced by Film d'Art and released through the independent states rights film distribution system.

Richard III was adapted from Shakespeare's original and Colley Cibber's 1699 adaptation of the same name. The film was written by Keane, who also appears as Richmond. Filming took place around Westchester, New York and City Island Long Island Sound.

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Colley Cibber in the context of Thomas Gray

Thomas Gray (26 December 1716 – 30 July 1771) was an English poet, letter-writer, and classical scholar at Cambridge University, being a fellow first of Peterhouse then of Pembroke College. He is widely known for his Elegy Written in a Country Churchyard, published in 1751. Gray was a self-critical writer who published only 13 poems in his lifetime, despite being very popular. He was even offered the position of Poet Laureate in 1757 after the death of Colley Cibber, though he declined.

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Colley Cibber in the context of The Relapse

The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion.

In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty.

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