Greek comedy in the context of "City Dionysia"

⭐ In the context of the City Dionysia, Greek comedy is considered…

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⭐ Core Definition: Greek comedy

Ancient Greek comedy (Ancient Greek: κωμῳδία, romanizedkōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.

The philosopher Aristotle wrote in his Poetics (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world.

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👉 Greek comedy in the context of City Dionysia

The Dionysia (/ˌd.əˈnɪzi.ə, ˌd.əˈnɪʃi.ə, ˌd.əˈnɪʃə/; Greek: Διονύσια) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were processions and sacrifices in honor of Dionysus, the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year.

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Greek comedy in the context of The Clouds

The Clouds (Ancient Greek: Νεφέλαι, Nephelai) is a Greek comedy play written by the playwright Aristophanes. A lampooning of intellectual fashions in classical Athens, it was originally produced at the City Dionysia in 423 BC and was not as well received as the author had hoped, coming last of the three plays competing at the festival that year. It was revised between 420 and 417 BC and was thereafter circulated in manuscript form.

No copy of the original production survives, and scholarly analysis indicates that the revised version is an incomplete form of Old Comedy. Any missing text, however, is not obvious in translations and modern performances.

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Greek comedy in the context of Greek chorus

A Greek chorus (Ancient Greek: χορός, romanizedchorós) in the context of ancient Greek tragedy, comedy, and satyr plays, is a homogeneous group of performers, who comment with a collective voice on the action of the scene they appear in, or provide necessary insight into action which has taken place offstage. Historically, the chorus consisted of between 12 and 50 players, who variously danced, sang or spoke their lines in unison, and sometimes wore masks. The players used masks to change their emotions while they were performing.

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Greek comedy in the context of Terence

Publius Terentius Afer (/təˈrɛnʃiəs, -ʃəs/; c. 195/185c. 159 BC), better known in English as Terence (/ˈtɛrəns/), was a playwright during the Roman Republic. He was the author of six comedies based on Greek originals by Menander or Apollodorus of Carystus. All six of Terence's plays survive complete and were originally produced between 166–160 BC.

According to ancient authors, Terence was born in Carthage and was brought to Rome as a slave, where he gained an education and his freedom; around the age of 25, Terence is said to have made a voyage to the east in search of inspiration for his plays, where he died either of disease in Greece, or by shipwreck on the return voyage. However, Terence's traditional biography is often thought to consist of speculation by ancient scholars who lived too long after Terence to have access to reliable facts about his life.

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Greek comedy in the context of The Frogs

The Frogs (Ancient Greek: Βάτραχοι, romanizedBátrakhoi; Latin: Ranae, often abbreviated Ran. or Ra.) is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place.

The play features the comical katabasis of the god of theater Dionysus, with his slave Xanthias, in order to revive the late tragedian Euripides. Dionysus is frustrated with tragedy's decline in quality after the playwright's recent passing, and concerned about theatre's future as the city of Athens struggles in the Peloponnesian War. During the pair's journey through the underworld, the god cravenly and unsuccessfully attempts to evade trouble after masquerading as Heracles, still infamous for his prior kidnapping of the guard-dog Cerberus. At the palace of Pluto, Dionysus then adjudicates a fierce debate between Euripides and Aeschylus for the underworld's throne of tragic drama. Aeschylus wins due to his pragmatism, and Dionysus ends up reviving him instead. The play's title derives from the first choral interlude (parodos), where the chorus, a group of frogs, exasperate Dionysus in song.

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