Classical Athens

A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.

Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.

The philosopher Aristotle wrote in his Poetics (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world.

The festival calendar of Classical Athens involved the staging of many festivals each year. This includes festivals held in honor of Athena, Dionysus, Apollo, Artemis, Demeter, Persephone, Hermes, and Heracles. Other Athenian festivals were based around family, citizenship, sacrifice, and women. There were at least 120 festival days each year.

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

Perdiccas II (Greek: Περδίκκας, romanized: Perdíkkas) was the king of Macedonia from 454 BC until his death in 413 BC. During the Peloponnesian War, he frequently switched sides between Sparta and Athens.

The Battle of Ephesus took place in 498 BC between Persian and Greek forces during the Ionian revolt. The Persians defeated the Greek army and compelled the Athenians and Eretrians to abandon their alliance with the Ionians.

Philocrates (Greek: Φιλοκράτης; floruit: 340s BC) was an ancient Greek politician from the Athenian deme Hagnous who first negotiated the Peace of Philocrates with Philip II of Macedonia after Philip devastated the city of Olynthos in 348 BC. The unpopularity of the treaty resulted in Philocrates being prosecuted in 343 BC by Hyperides for corruption (i.e. accepting bribes and favors from Philip II). Philocrates ultimately fled into exile and was condemned to death during his absence.

Sparta was a prominent city-state in Laconia in ancient Greece. In antiquity, the state was known as Lacedaemon (Λακεδαίμων, Lakedaímōn), while "Sparta" referred to its capital, a group of villages in the valley of the Evrotas River in Laconia, in southeastern Peloponnese. Around 650 BC, it rose to become one of the major military powers in Greece, a status it retained until 371 BC.

Sparta was recognized as the leading force of the unified Greek military during the Greco-Persian Wars, in rivalry with the rising naval power of Athens. Sparta was the principal enemy of Athens during the Peloponnesian War (431–404 BC), from which it emerged victorious after the Battle of Aegospotami. Thebes' victory over Sparta at the Battle of Leuctra in 371 BC ended Spartan hegemony and freed Messenia from Spartan rule; the loss of the slave labor this region provided sent the city into terminal decline as a military power, though it retained its independence until its forcible integration into the Achaean League in 192 BC. The city recovered some autonomy after the Roman conquest of Greece in 146 BC and became a tourist destination during the Roman era, restoring some measure of prosperity. However, Sparta was sacked in 396 AD by the Visigothic king Alaric, and underwent a long period of decline into the medieval period, when much of its population relocated to Mystras. Modern Sparta is a provincial town and the seat of the Laconia regional administration.

Megaris (Ancient Greek: Μεγαρίς) was a small but populous state of ancient Greece, west of Attica and north of Corinthia, whose inhabitants were adventurous seafarers, credited with deceitful propensities. The capital, Megara, was famous for white marble and fine clay. Mount Geraneia dominated the center of the region. The island of Salamis was originally under the control of Megara, before it was lost to Athens in the late 7th century BCE.

37°59′33″N 23°42′29″E / 37.99250°N 23.70806°E / 37.99250; 23.70806

The Academy (Ancient Greek: Ἀκαδημία, romanized: Akadēmia) was founded by Plato in ca. 387 BC in Athens. Aristotle studied there for twenty years (367 BC – 347 BC) before founding his own school, the Lyceum. The Academy persisted throughout the Hellenistic period as a skeptical school, until coming to an end after the death of Philo of Larissa in 83 BC. Although philosophers continued to teach Plato's philosophy in Athens during the Roman era, it was not until AD 410 that a revived Academy was re-established as a center for Neoplatonism, persisting until 529 AD when it was closed down by Justinian I.