Classical Athens

Criticism of religion involves criticism of the validity, concept, or ideas of religion. Historical records of criticism of religion go back to at least 5th century BCE in ancient Greece, in Athens specifically, with Diagoras "the Atheist" of Melos. In ancient Rome, an early known example is Lucretius' De rerum natura from the 1st century BCE.

Every exclusive religion on Earth (as well as every exclusive world view) that promotes exclusive truth-claims necessarily denigrates the truth-claims of other religions. Thus, some criticisms of religion become criticisms of one or more aspects of a specific religious tradition. Critics of religion in general may view religion as one or more of: outdated, harmful to the individual, harmful to society, an impediment to the progress of science or humanity, a source of immoral acts or customs, and a political tool for social control.

In Greek mythology, a satyr (Ancient Greek: σάτυρος, romanized: sátyros, pronounced [sátyros]), also known as a silenus or silenos (Ancient Greek: σειληνός, romanized: seilēnós [seːlɛːnós]), and sileni (plural), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and they always are shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality.

In classical Athens, satyrs made up the chorus in a genre of play known as a "satyr play", which was a parody of tragedy and known for its bawdy and obscene humor. The only complete surviving play of this genre is Cyclops by Euripides, although a significant portion of Sophocles's Ichneutae has also survived. In mythology, the satyr Marsyas is said to have challenged the god Apollo to a musical contest and been flayed alive for his hubris. Although superficially ridiculous, satyrs were also thought to possess useful knowledge, if they could be coaxed into revealing it. The satyr Silenus was the tutor of the young Dionysus, and a story from Ionia told of a silenos who gave sound advice when captured.

The dithyramb (/ˈdɪθɪræm/; Ancient Greek: διθύραμβος, dithyrambos) was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in The Laws, while discussing various kinds of music mentions "the birth of Dionysos, called, I think, the dithyramb." Plato also remarks in the Republic that dithyrambs are the clearest example of poetry in which the poet is the only speaker.

However, in The Apology Socrates went to the dithyrambic poetswith some of their own most elaborate passages, asking their meaning, but got a response of, "Will you believe me?" which "showed me in an instant that not by wisdom do poets write poetry, but by a sort of genius and inspiration; they are like diviners or soothsayers who also say many fine things, but do not understand the meaning of them."

A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.

37°59′33″N 23°42′29″E / 37.99250°N 23.70806°E / 37.99250; 23.70806

The Academy (Ancient Greek: Ἀκαδημία, romanized: Akadēmia) was founded by Plato in ca. 387 BC in Athens. Aristotle studied there for twenty years (367 BC – 347 BC) before founding his own school, the Lyceum. The Academy persisted throughout the Hellenistic period as a skeptical school, until coming to an end after the death of Philo of Larissa in 83 BC. Although philosophers continued to teach Plato's philosophy in Athens during the Roman era, it was not until AD 410 that a revived Academy was re-established as a center for Neoplatonism, persisting until 529 AD when it was closed down by Justinian I.

Pausanias (/pɔːˈseɪniəs/; Ancient Greek: Παυσανίας; fl. c. 420 BC) was an ancient Athenian of the deme Kerameis, who was the lover of the poet Agathon.

Although Pausanias is given a significant speaking part in Plato's Symposium, very little is known about him. Ancient anecdotes tend to address only his relationship with Agathon and give us no information about his personal accomplishments. Around 407 BC he removed himself together with Agathon from Athens to the court of the Macedonian king Archelaus.

The Corinthian War (395–387 BC) was a conflict in ancient Greece which pitted Sparta against a coalition of city-states comprising Thebes, Athens, Corinth and Argos, backed by the Achaemenid Empire. The war was caused by dissatisfaction with Spartan imperialism in the aftermath of the Peloponnesian War (431–404 BC), both from Athens, the defeated side in that conflict, and from Sparta's former allies, Corinth and Thebes, who had not been properly rewarded. Taking advantage of the fact that the Spartan king Agesilaus II was away campaigning in Asia against the Achaemenid Empire, Thebes, Athens, Corinth and Argos forged an alliance in 395 BC with the goal of ending Spartan hegemony over Greece; the allies' war council was located in Corinth, which gave its name to the war. By the end of the conflict, the allies had failed to end Spartan hegemony over Greece, although Sparta was weakened by the war.

At first, the Spartans achieved several successes in pitched battles (at Nemea and Coroneia), but lost their advantage after their fleet was destroyed at the naval Battle of Cnidus against the Persian fleet, which effectively ended Sparta's attempts to become a naval power. As a result, Athens launched several naval campaigns in the later years of the war, recapturing a number of islands that had been part of the original Delian League during the 5th century BC. Alarmed by these Athenian successes, the Persians stopped backing the allies and began supporting Sparta. This defection forced the allies to seek peace.

Xerxes I (/ˈzɜːrksiːz/ ZURK-seez; c. 518 – August 465 BC), commonly known as Xerxes the Great, was a Persian ruler who served as the fourth King of Kings of the Achaemenid Empire, reigning from 486 BC until his assassination in 465 BC. He was the son of Darius the Great and Atossa, a daughter of Cyrus the Great.

In Western history, Xerxes is best known for his invasion of Greece in 480 BC, which ended in Persian defeat. Xerxes was designated successor by Darius over his elder brother Artobazan and inherited a large, multi-ethnic empire upon his father's death. He consolidated his power by crushing revolts in Egypt and Babylon, and renewed his father's campaign to subjugate Greece and punish Athens and its allies for their interference in the Ionian Revolt. In 480 BC, Xerxes personally led a large army and crossed the Hellespont into Europe. He achieved victories at Thermopylae and Artemisium before capturing and razing Athens. His forces gained control of mainland Greece north of the Isthmus of Corinth until their defeat at the Battle of Salamis. Fearing that the Greeks might trap him in Europe, Xerxes retreated with the greater part of his army back to Asia, leaving behind Mardonius to continue his campaign. Mardonius was defeated at Plataea the following year, effectively ending the Persian invasion.

The first Persian invasion of Greece took place from 492 BC to 490 BC, as part of the Greco-Persian Wars. It ended with a decisive Athenian-led victory over the Achaemenid Empire during the Battle of Marathon. Consisting of two distinct campaigns, the invasion of the independent Greek city-states was ordered by the Persian king Darius the Great, who sought to punish Athens and Eretria after they had supported the earlier Ionian Revolt. Additionally, Darius also saw the subjugation of Greece as an opportunity to expand into Southeast Europe and thereby ensure the security of the Achaemenid Empire's western frontier.

The first campaign, in 492 BC, was led by the Persian commander Mardonius, who re-subjugated Thrace and forced Macedon to become a fully subordinate client kingdom within the Achaemenid Empire; it had been a Persian vassal as early as the late 6th century BC—probably in 512 BC. However, further progress was prevented when Mardonius' fleet was wrecked in a storm off the coast of Mount Athos. The following year, having demonstrated his intentions, Darius sent envoys to all parts of Greece, demanding their submission. He received it from almost all of them, but not from Athens and Sparta, both of which executed the envoys sent to them. With Athens still defiant, and Sparta now effectively at war with the Persians, Darius ordered a further military campaign for the following year.

Darius I (Old Persian: 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 Dārayavaʰuš; c. 550 – 486 BCE), commonly known as Darius the Great, was the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE. He ruled the empire at its territorial peak, when it included much of West Asia, parts of the Balkans (Thrace–Macedonia and Paeonia) and the Caucasus, most of the Black Sea's coastal regions, Central Asia, the Indus Valley in the far east, and portions of North Africa and Northeast Africa including Egypt (Mudrâya), eastern Libya, and coastal Sudan.

Darius ascended the throne after overthrowing the Achaemenid monarch Bardiya (or Smerdis), who he claimed was in fact an imposter named Gaumata. The new king met with rebellions throughout the empire but quelled each of them; a major event of Darius's career described in Greek historiography was his punitive expedition against Athens and Eretria for their participation in the Ionian Revolt.