Classic of Poetry in the context of "Chinese poetry"

The history of China spans several millennia across a wide geographical area. Each region now considered part of the Chinese world has experienced periods of unity, fracture, prosperity, and strife. Chinese civilization first emerged in the Yellow River valley, which along with the Yangtze basin constitutes the geographic core of the Chinese cultural sphere. China maintains a rich diversity of ethnic and linguistic people groups. The traditional lens for viewing Chinese history is the dynastic cycle: imperial dynasties rise and fall, and are ascribed certain achievements. This lens also tends to assume Chinese civilization can be traced as an unbroken thread many thousands of years into the past, making it one of the cradles of civilization. At various times, states representative of a dominant Chinese culture have directly controlled areas stretching as far west as the Tian Shan, the Tarim Basin, and the Himalayas, as far north as the Sayan Mountains, and as far south as the delta of the Red River.

The Neolithic period saw increasingly complex polities begin to emerge along the Yellow and Yangtze rivers. The Erlitou culture in the central plains of China is sometimes identified with the Xia dynasty (3rd millennium BC) of traditional Chinese historiography. The earliest surviving written Chinese dates to roughly 1250 BC, consisting of divinations inscribed on oracle bones. Chinese bronze inscriptions, ritual texts dedicated to ancestors, form another large corpus of early Chinese writing. The earliest strata of received literature in Chinese include poetry, divination, and records of official speeches. China is believed to be one of a very few loci of independent invention of writing, and the earliest surviving records display an already-mature written language. The culture remembered by the earliest extant literature is that of the Zhou dynasty (c. 1046 – 256 BC), China's Axial Age, during which the Mandate of Heaven was introduced, and foundations laid for philosophies such as Confucianism, Taoism, Legalism, and Wuxing.

Wu wei (traditional Chinese: 無為; simplified Chinese: 无为; pinyin: wúwéi; Jyutping: mou4-wai4) is a concept from ancient Chinese philosophy that literally means not-acting or non-doing, variously interpreted and translated as actionlessness, inaction, or effortless action. In Daoism, it denotes the nature of Dao, meaning that while Dao (the way, path, or flow of nature) is the source of all existence and manifestation of all phenomena, its intrinsic formless essence is that it acts or moves in a silent, invisible, ineffable, often-unnoticed manner that may even seem motionless and effortless. Accordingly, Taoists aspire to live their lives in alignment with such a harmonious state of free flowing and unforced activity. In a political context, it also refers to an ideal form or principle of spontaneous and non-aggressive governance.

Wu wei appears as an idea as early as the Spring and Autumn period, with early literary examples in the Classic of Poetry. It became an important concept in the Confucian Analects, linking a Confucian ethic of practical morality to a state of being which harmonizes intention and action. It would go on to become a central concept in Legalist statecraft and Daoism, in Daoism as a concept emphasizing alignment with the natural Dao in actions and intentions, avoiding force or haste against the natural order.

Scholars have attempted to reconstruct the phonology of Old Chinese from documentary evidence. Although the writing system does not describe sounds directly, shared phonetic components of the most ancient Chinese characters are believed to link words that were pronounced similarly at that time. The oldest surviving Chinese verse, in the Classic of Poetry (Shijing), shows which words rhymed in that period. Scholars have compared these bodies of contemporary evidence with the much later Middle Chinese reading pronunciations listed in the Qieyun rhyme dictionary published in 601 AD, though this falls short of a phonemic analysis. Supplementary evidence has been drawn from cognates in other Sino-Tibetan languages and in Min Chinese, which split off before the Middle Chinese period, Chinese transcriptions of foreign names, and early borrowings from and by neighbouring languages such as Hmong–Mien, Kra-Dai, Vietic and Tocharian languages.

Although many details are disputed, most recent reconstructions agree on the basic structure. It is generally agreed that Old Chinese differed from Middle Chinese in lacking retroflex and palatal obstruents but having initial consonant clusters of some sort, and in having voiceless sonorants. Most recent reconstructions also posit consonant clusters at the end of the syllable, developing into tone distinctions in Middle Chinese.

Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, Shijing, was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese (kanshi); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, partly because of the influence of Chinese arts, and the tradition of the use of ink and brush for both writing and drawing. It took several hundred years to digest the foreign impact and make it an integral part of Japanese culture and to merge this kanshi poetry into a Japanese language literary tradition, and then later to develop the diversity of unique poetic forms of native poetry, such as waka, haikai, and other more Japanese poetic specialties. For example, in the Tale of Genji both kanshi and waka are frequently mentioned. The history of Japanese poetry goes from an early semi-historical/mythological phase, through the early Old Japanese literature inclusions, just before the Nara period, the Nara period itself (710 to 794), the Heian period (794 to 1185), the Kamakura period (1185 to 1333), and so on, up through the poetically important Edo period (1603 to 1867, also known as "Tokugawa") and modern times; however, the history of poetry often is different from socio-political history.