Cinema of France in the context of "Lumière brothers"

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⭐ Core Definition: Cinema of France

The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia.

The Lumière brothers launched cinematography in 1895 with their L'Arrivée d'un train en gare de La Ciotat. By the early 1900s, French cinema led globally, with pioneers like Méliès creating cinematic techniques and the first sci-fi film, A Trip to the Moon (1902). Studios like Pathé and Gaumont dominated, with Alice Guy-Blaché directing hundreds of films. Post-WWI, French cinema declined as U.S. films flooded Europe, leading to import quotas. Between the wars, directors like Jean Renoir, Jean Vigo and Marcel Carné shaped French Poetic Realism. Renoir’s La Règle du Jeu (1939) and Carné’s Les Enfants du Paradis (1945) remain iconic, showcasing innovation despite war challenges.

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Cinema of France in the context of Robert Bresson

Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999) was a French filmmaker. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.

Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 Sight and Sound critics' poll of the Greatest Films of All Time. His works A Man Escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966) were ranked among the top 100, and other films like Mouchette (1967) and L'Argent (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music."

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Cinema of France in the context of List of French artists

The following is a chronological list of French artists working in visual or plastic media (plus, for some artists of the 20th century, performance art). For alphabetical lists, see the various subcategories of Category:French artists. See other articles for information on French literature, French music, French cinema and French culture.

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Cinema of France in the context of Richard III (1912 film)

Richard III (also known as The Life and Death of King Richard III) is a 1912 silent film adaptation of William Shakespeare's play, co-directed by French filmmaker André Calmettes and American playwright James Keane, and starring Frederick Warde as the title character. The 55-minute film, an international co-production of France and the United States, was produced by Film d'Art and released through the independent states rights film distribution system.

Richard III was adapted from Shakespeare's original and Colley Cibber's 1699 adaptation of the same name. The film was written by Keane, who also appears as Richmond. Filming took place around Westchester, New York and City Island Long Island Sound.

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Cinema of France in the context of Geraldine Chaplin

Geraldine Leigh Chaplin (born July 31, 1944) is an actress whose long career has included multilingual roles in English, Spanish, French, Italian, and German films.

Geraldine is a daughter of Charlie Chaplin, the first of his eight children with his fourth wife, Oona O'Neill, and thus a granddaughter of playwright Eugene O'Neill. After beginnings in dance and modeling, she turned her attention to acting, and made her English-language acting debut (and came to prominence in what would be a Golden Globe–nominated role) as Tonya in David Lean's Doctor Zhivago (1965). She made her Broadway acting debut in Lillian Hellman's The Little Foxes in 1967, and played ancient Egyptian Queen Nefertiti in Raúl Araiza's Nefertiti and Akhenaton (Nefertiti y Aquenatos) (1973) alongside Egyptian actor Salah Zulfikar. Chaplin received her second Golden Globe nomination for Robert Altman's Nashville (1975). She received a BAFTA nomination for her role in Welcome to L.A. (1976). She played her grandmother Hannah Chaplin in the biopic Chaplin (1992), for which she received her third Golden Globe nomination.

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Cinema of France in the context of Marin Karmitz

Marin Karmitz (born 7 October 1938) is a Romanian-French businessman whose career has spanned the French film industry, including director, producer, film distributor, and operator of a chain of cinemas.

He comes from a Jewish-Romanian family and emigrated to France in 1948.Karmitz attended film school at IDHEC (renamed La Fémis) and worked as a director of photography after graduating.

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Cinema of France in the context of Michèle Morgan

Michèle Morgan (French: [miʃɛl mɔʁɡan]; born Simone Renée Roussel; 29 February 1920 – 20 December 2016) was a French film actress, who was a leading lady for three decades in both French cinema and Hollywood features. She is considered one of the greatest French actresses of the 20th century. Morgan was the inaugural winner of the Best Actress Award at the Cannes Film Festival. In 1992, she was given an honorary César Award for her contributions to French cinema.

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Cinema of France in the context of Françoise Rosay

Françoise Rosay (French: [fʁɑ̃swaz ʁozɛ]; born Françoise Bandy de Nalèche; 19 April 1891 – 28 March 1974) was a French opera singer, diseuse, and actress who enjoyed a film career of over sixty years and who became a legendary figure in French cinema. She went on to appear in over 100 movies in her career.

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Cinema of France in the context of Gérard Depardieu

Gérard Xavier Marcel Depardieu (UK: /ˈdɛpɑːrdjɜː, ˌdɛpɑːrˈdjɜː/, US: /-ˈdjʌ, ˌdpɑːrˈdj/, French: [ʒeʁaʁ ɡzavje maʁsɛl dəpaʁdjø] ; born 27 December 1948) is a French actor. Considered an icon of French cinema in the same way as Jean Gabin and Alain Delon, he has completed over 200 films since 1967, most of which as a lead actor. Depardieu has worked with over 150 film directors including François Truffaut, Bertrand Blier, Maurice Pialat, Alain Resnais, Claude Chabrol, Ridley Scott, Peter Weir, Jean-Luc Godard, and Bernardo Bertolucci. He is the second highest-grossing actor in the history of French cinema behind Louis de Funès. Among his films, about 60 have sold more than one million tickets in France. He has portrayed numerous historical and fictitious figures including Cyrano de Bergerac, Georges Danton, Christopher Columbus, Honoré de Balzac, Alexandre Dumas, Auguste Rodin, Jean Valjean, Edmond Dantès, Porthos, commissioner Maigret, Joseph Stalin and Grigori Rasputin, as well as Obelix in four of the live action Asterix films. Depardieu is also a film producer, businessman and vineyard owner. He has occasionally directed films and performed as a singer. His body of work includes many television productions, several records and, as of 2025, 19 stage plays and 9 books.

Growing up in poverty in Châteauroux, central France, Depardieu had a difficult youth before settling in Paris where he became an actor. In 1974, he had his breakthrough role in Going Places, becoming an overnight star. Depardieu quickly established himself as a leading actor in European cinema and proved himself a versatile performer by appearing in a wide variety of productions, including drama, comedy, crime and avant-garde films. He has received acclaim for his performances in The Last Metro (1980), for which he won the César Award for Best Actor, in Police (1985), for which he won the Volpi Cup for Best Actor, Jean de Florette (1986), and Cyrano de Bergerac (1990), for which he won the Best Actor award at the Cannes Film Festival and his second César Award for Best Actor as well as garnering a nomination for the Academy Award for Best Actor. He started a Hollywood career with Green Card (1990), winning a Golden Globe Award, and later appeared in several big-budget English-language films, including 1492: Conquest of Paradise (1992), The Man in the Iron Mask (1998), and Life of Pi (2012).

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