Cima da Conegliano in the context of "Love of God in Christianity"

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⭐ Core Definition: Cima da Conegliano

Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works.

Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones. He often repeated popular subjects in different versions with slight variations, including his Madonnas and Saint Jerome in a Landscape. His paintings of the Madonna and Child include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times.

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👉 Cima da Conegliano in the context of Love of God in Christianity

The love of God is a prevalent concept both in the Old Testament and the New Testament. Love is a key attribute of God in Christianity, even if in the New Testament the expression "God is love" explicitly occurs only twice and in two not too distant verses: 1 John 4:8,16.

The love of God has been the center of the spirituality of a number of Christian mystics such as Teresa of Avila.

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