Chronica Majora in the context of "Frisian participation in the Crusades"

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⭐ Core Definition: Chronica Majora

The Chronica Majora is the seminal work of Matthew Paris, a member of the English Benedictine community of St Albans and long-celebrated historian. The work begins with Creation and contains annals down to the year of Paris' death of 1259. The Chronica has long been considered a contemporary attempt to present a universal history of the world.

Written in Latin, the illustrated autograph copy of the Chronica Majora survives in three volumes. The first two parts, covering Creation up to 1188 as well as the years 1189 to 1253 (MS 26 and MS 16), are contained in the Parker Library at Corpus Christi College, Cambridge. The remainder of the Chronica, from 1254 until Matthew's death in 1259, is in the British Library, bound as Royal MS 14 C VII folios 157–218, following Matthew's Historia Anglorum (an abridgement of the Chronica covering the period from 1070 to 1253).

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πŸ‘‰ Chronica Majora in the context of Frisian participation in the Crusades

Frisian involvement in the Crusades is attested from the very beginning of the First Crusade, but their presence is only felt substantially during the Fifth Crusade. They participated in almost all the major Crusades and the Reconquista. The Frisians are almost always referred to collectively by contemporary chroniclers of the Crusades and few names of individual Frisian crusaders can be found in the historical record. They generally composed a naval force in conjunction with other larger bodies of crusaders.

The first Frisians to participate in the First Crusade were part of the army which was led to the Holy Land by Godfrey of Bouillon and they are only mentioned in passing by Fulcher of Chartres, who mentions that the Frisian language was one of the many tongues spoken by the crusaders. William of Tyre, drawing his information from Fulcher, mentions Frisians as part of the troops led by Godfrey at the Siege of Antioch in 1097–1098. According to Albert of Aix, there was also a fleet of pirates, hailing from Denmark, Frisia, and Flanders and led by Guynemer of Boulogne, who assisted Baldwin of Boulogne at Tarsus.

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Chronica Majora in the context of Matthew Paris

Matthew Paris, also known as Matthew of Paris (Latin: MatthΓ¦us Parisiensis, lit. 'Matthew the Parisian'; c.Β 1200 – 1259), was an English Benedictine monk, chronicler, artist in illuminated manuscripts, and cartographer who was based at St Albans Abbey in Hertfordshire. He authored a number of historical works, many of which he scribed and illuminated himself, typically in drawings partly coloured with watercolour washes, sometimes called "tinted drawings". Some were written in Latin, others in Anglo-Norman or French verse. He is sometimes confused with the nonexistent Matthew of Westminster.

His Chronica Majora is a renowned Medieval work, in many cases being a key source for mid-13th century Europe, partially due to his verbose insertion of personal opinions into his narrative and his use of sources such as records, letters, and conversations with witnesses to events including the English king Henry III, earl Richard of Cornwall, the Norwegian king Haakon IV, a number of English bishops, and many others. Modern historians recognise Paris's biases. He often tended to glorify Holy Roman Emperor Frederick II and denigrate the pope, expressing strong criticism of centralised church authority and at times royal power. However, in his Historia Anglorum, Paris displays a highly negative view of Frederick, going as far as to describe him as a "tyrant" who "committed disgraceful crimes".

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Chronica Majora in the context of Otto of Tonengo

Otto of Tonengo (c. 1190 – 1250/1251) was an Italian papal diplomat and cardinal, first as deacon of San Nicola in Carcere from 1227 and then as bishop of Porto e Santa Rufina from 1244.

He is called in many English sources Otto Candidus, meaning "Otto the White", a name he used himself.

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