Chromolithography in the context of "Claude Niépce"

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⭐ Core Definition: Chromolithography

Chromolithography is a method for making multi-colour prints in lithography, and in theory includes all types of lithography that are printed in colour. However, in modern usage it is normally restricted to 19th-century works, and the higher quality examples from that period; almost all 21st-century colour printing uses lithography, but would not be described using the term chromolithography. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithography is a method of printing on flat surfaces using a flat printing plate instead of raised relief or recessed intaglio techniques.

Chromolithography became the most successful of several methods of colour printing developed in the 19th century. Other methods were developed by printers such as Jacob Christoph Le Blon, George Baxter and Edmund Evans, and mostly relied on using several woodblocks with different colours. Hand-colouring also remained important. For example, elements of the official British Ordnance Survey maps were coloured by hand by boys until 1875. The initial chromolithographic technique involved the use of multiple lithographic stones, one for each colour, and was still extremely expensive when done for the best quality results. Depending on the number of colours present, a chromolithograph could take even very skilled workers months to produce.

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👉 Chromolithography in the context of Claude Niépce

Claude Félix Abel Niépce (1764 – early 1828) was a French inventor and the older brother of the more celebrated Nicéphore Niépce. Claude traveled to England to try to find a sponsor for their internal combustion engine and died there. His brother's later successful development of photography has eclipsed the part played by Claude.

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Chromolithography in the context of American Progress

American Progress is an 1872 painting by John Gast, a Prussian-born painter, printer, and lithographer who lived and worked during the 1870s in Brooklyn, New York. American Progress, an allegory of manifest destiny, was widely disseminated in chromolithographic prints. It is now held by the Autry Museum of the American West in Los Angeles, California.

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