Christian hip hop in the context of Phoenix Concert Theatre


Christian hip hop in the context of Phoenix Concert Theatre

⭐ Core Definition: Christian hip hop

Christian hip-hop (originally gospel rap, also known as Christian rap, gospel hip-hop or holy hip-hop) is a cross-genre of contemporary Christian music and hip-hop. It emerged from urban contemporary music and Christian media in the United States during the 1980s.

Christian hip-hop music first emerged on record in 1982 with a track entitled "Jesus Christ (The Gospel Beat)" by Queens, New York artist McSweet. The first full-length Christian hip-hop album, Bible Break, by Oklahoma artist Stephen Wiley, was released in 1985, with the title track becoming a hit on Christian radio in 1986. Other early Christian hip recording artists from the mid-1980s included P.I.D. (Preachas in Disguise), who recorded to funky rock rhythms, as well as JC & the Boys and Michael Peace. During the 1990s and 2000s, rapper KJ-52 rose to prominence in the field.

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Christian hip hop in the context of Christian music

Christian music is a genre of music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely around the world. Church music, hymnals, gospel, and worship music are a part of Christian media and also include contemporary Christian music which itself supports numerous Christian styles of music, including hip hop, rock, contemporary worship, and urban contemporary gospel.

Like other forms of music the creation, performance, significance, and even the definition of Christian music varies according to culture and social context. Christian music can serve various functions, such as ceremonial, educational, aesthetical, or for entertainment purposes.

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Christian hip hop in the context of Urban contemporary gospel

Urban/contemporary gospel, also known as urban gospel music, urban gospel pop, or just simply urban gospel, is a modern subgenre of gospel music. Although the style developed gradually, early forms are generally dated to the 1970s, and the genre was well established by the end of the 1980s. The radio format is pitched primarily to African-Americans. Christian hip hop can be considered a subtype of this genre.

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