Vulci

Ceramic art is art made from ceramic materials, including clay that serves as a cultural, professional, and historical representation of individuals and groups across centuries of art. It may take varied forms, such as artistic pottery, tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory.

In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a specifically modern craft. Such crafts emphasized traditional non-industrial production techniques, faithfulness to the material, the skills of the individual maker, attention to utility, and an absence of excessive decoration that was typical to the Victorian era.

In Greek mythology, Nestor of Gerenia (Ancient Greek: Νέστωρ Γερήνιος, Nestōr Gerēnios) was a legendary king of Pylos. He is a prominent secondary character in Homer's Iliad and Odyssey, where he appears as an elderly warrior who frequently offers advice to the other characters.

The Mycenaean-era palace at Pylos is known as the Palace of Nestor, though there is no evidence that he was an actual person.

In Greek mythology, maenads (/ˈmiːnædz/ ; Ancient Greek: μαινάδες [maiˈnades]) were the female followers of Dionysus and the most significant members of his retinue, the thiasus.Their name, which comes from μαίνομαι (maínomai, "to rave, to be mad; to rage, to be angry"), literally translates as 'raving ones'. Maenads were known as Bassarids, Bacchae /ˈbækiː/, or Bacchantes /ˈbækənts, bəˈkænts, -ˈkɑːnts/ in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin.

Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes.

The Belly Amphora in the Staatliche Antikensammlungen at Munich (inventory number 2301) is one of the most famous works by the Andokides Painter. The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria.

As a bilingual vase, it is an important archaeological source for the transition from Attic black-figure pottery to the red-figure style. Bilingual vases are uncommon, and ones that repeat the same subject in the two styles are vanishingly rare; the vase is therefore very often used to illustrate the differences between the two techniques. It is signed by the potter Andokides, who probably made it. Some scholars assume that the black-figure side was painted by the Lysippides Painter, while others suggest that he is identical with the Andokides Painter.

In Greek mythology, Eteocles (/ɪˈtiːəkliːz/; Ancient Greek: Ἐτεοκλῆς) was a king of Thebes, the son of Oedipus and either Jocasta or Euryganeia. Oedipus killed his father Laius and married his mother without knowing his relationship to either. When the relationship was revealed, he was expelled from Thebes. The rule passed to his sons Eteocles and Polynices. However, because of a curse from their father, the two brothers did not share the rule peacefully and died as a result, ultimately killing each other in battle for control of the city. Upon his death, Eteocles was succeeded by his uncle, Creon.

In Greek mythology, Sisyphus or Sisyphos (/ˈsɪsɪfəs/ ; Ancient Greek: Σίσυφος, romanized: Sísyphos) is the founder and king of Ephyra (now known as Corinth). He reveals Zeus's abduction of Aegina to the river god Asopus, thereby incurring Zeus's wrath. His subsequent cheating of death earns him eternal punishment in the underworld, once he dies of old age. The gods forced him to roll an immense boulder up a hill only for it to roll back down every time it neared the top, repeating this action for eternity. Through the classical influence on contemporary culture, tasks that are both laborious and futile are therefore described as Sisyphean (/sɪsɪˈfiːən/).

In Greek mythology, Oenopion /ɪˈnoʊpiən/ (Ancient Greek: Οἰνοπίων, Oinopíōn, English translation: "wine drinker", "wine-rich" or "wine face") was a legendary king of Chios, and was said to have brought winemaking to the island, which was assigned to him by Rhadamanthys.

Makron was an ancient Greek vase painter active in Athens ca. 490–480 BC. Though only one signed example of his work is known to have survived, some 350 vases have been attributed to him by Sir John Beazley, making him one of the best surviving painters of the red-figure period.

"He specialized in the decoration of cups, but occasionally worked with other types of vessels. Most of his vases depict scenes from daily life: revelry, athletics, or erotica."