Christ the Redeemer (statue) in the context of "Favelas"

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⭐ Core Definition: Christ the Redeemer (statue)

Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu ʁedẽˈtoʁ]) is an Art Deco statue of Jesus in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot. Romanian sculptor Gheorghe Leonida sculpted the face. Constructed between 1922 and 1931, the statue is 30 metres (98 ft) high, excluding its 8-metre (26 ft) pedestal. The arms stretch 28 metres (92 ft) wide. It is made of reinforced concrete and soapstone. Christ the Redeemer differs considerably from its original design, as the initial plan was a large Christ with a globe in one hand and a cross in the other. Although the project organizers originally accepted the design, it later changed to the statue of today, with the arms spread out wide.

The statue weighs 635 metric tons (625 long, 700 short tons), and is located at the peak of the 700-metre (2,300 ft) Corcovado mountain in the Tijuca National Park overlooking the city of Rio de Janeiro. This statue is the largest Art Deco–style sculpture in the world. A symbol of Christianity around the world, the statue has also become a cultural icon of both Rio de Janeiro and Brazil and was voted one of the New 7 Wonders of the World.

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Christ the Redeemer (statue) in the context of Monuments

A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site.

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Christ the Redeemer (statue) in the context of New 7 Wonders of the World

The New 7 Wonders of the World was a campaign started in 2001 to choose Wonders of the World from a selection of 200 existing monuments. The popularity poll via free web-based voting and telephone voting was led by Canadian-Swiss Bernard Weber and organized by the New 7 Wonders Foundation (N7W) based in Zurich, Switzerland, with winners announced on 7 July 2007 at Estádio da Luz in Lisbon. The poll was considered unscientific partly because it was possible for people to cast multiple votes. According to John Zogby, founder and current President/CEO of the US polling organization Zogby International, New 7 Wonders Foundation drove "the largest poll on record".

The program drew a wide range of official reactions. Some countries touted their finalist and tried to get more votes cast for it, while others downplayed or criticized the contest. After supporting the New 7 Wonders Foundation at the beginning of the campaign by providing advice on nominee selection, the United Nations Educational, Scientific, and Cultural Organization (UNESCO), bound by its bylaws to record and give equal status to all World Heritage Sites, distanced itself from the undertaking in 2001 and again in 2007.

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Christ the Redeemer (statue) in the context of Paul Landowski

Paul Maximilien Landowski (1 June 1875 – 31 March 1961) was a French monument sculptor of Polish descent. His best-known work is Christ the Redeemer in Rio de Janeiro, Brazil.

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Christ the Redeemer (statue) in the context of Heitor da Silva Costa

Heitor da Silva Costa (25 July 1873 – 21 April 1947) was a Brazilian civil engineer, designer and constructor of the Christ the Redeemer monument in Rio de Janeiro. In 1924, he won a competition for the construction of the monumental Christ the Redeemer statue Monumento Cristo Redentor on Corcovado in Rio de Janeiro organized by the Catholic Church. The reason for the competition was the one hundred year anniversary of the independence of Brazil (1822). The monument was inaugurated on 12 October 1931.

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Christ the Redeemer (statue) in the context of Gheorghe Leonida

Gheorghe Leonida (1892/93–1942) was a Romanian sculptor known for creating the head of Christ the Redeemer, the statue of Jesus Christ in Rio de Janeiro, Brazil.

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Christ the Redeemer (statue) in the context of Corcovado

Corcovado (Brazilian Portuguese pronunciation: [koʁkoˈvadu]; meaning "Hunchback") is a mountain in central Rio de Janeiro, Brazil. It is a 710-metre (2,330-foot) granite peak located in the Tijuca Forest, a national park.

Corcovado hill lies just west of the city center but is wholly within the city limits and visible from great distances. It is known worldwide for the statue of Jesus atop its peak, entitled Christ the Redeemer.

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Christ the Redeemer (statue) in the context of Escalator

An escalator is a moving staircase which carries people between floors of a building or structure. It consists of a motor-driven chain of individually linked steps on a track which cycle on a pair of tracks which keep the step tread horizontal.

Escalators are often used around the world in places where lifts would be impractical, or they can be used in conjunction with them. Principal areas of usage include department stores, shopping malls, airports, transit systems (railway/railroad stations), convention centers, hotels, arenas, stadiums and public buildings.

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Christ the Redeemer (statue) in the context of Redeemer (Christianity)

Christian theology sometimes refers to Jesus using the title Redeemer or Saviour (alternatively, Savior). This references the salvation he accomplished, and is based on the metaphor of redemption, or "buying back". In the New Testament, redemption can refer both to deliverance from sin and to freedom from captivity.

Although the gospels do not use the title "Redeemer", the idea of redemption occurs in several of Paul's epistles. Leon Morris says that "Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ."

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