Antikensammlung Berlin

A sarcophagus (pl.: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning "flesh", and φαγεῖν phagein meaning "to eat"; hence sarcophagus means "flesh-eating", from the phrase lithos sarkophagos (λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself.

The linothorax (/ˈliːnoʊθɔːræks/, from the Ancient Greek: λινοθώραξ, Ancient Greek: [linotʰɔ̌ːraːks]) is a type of upper body armor that was used throughout the ancient Mediterranean world. The term linothorax is a modern term based on the Greek λινοθώραξ, which means "wearing a breastplate of linen"; a number of ancient Greek and Latin texts from the 6th century BC to the third century AD mention θώρακες λίνεοι (thorakes lineoi) (Greek) or loricae linteae (Latin) which means 'linen body armour'. These are usually equated with some of the armour shown in sculptures and paintings from Italy and Greece from 575 BC onwards. Very little is known about how ancient linen armour was made. Linen armour in other cultures was usually quilted and stuffed with loose fibre or stitched together many layers thick, but it could also have been made with a special weave called twining which creates a thick, tough fabric. The theory that it was made of layers of linen glued together comes from a mistranslation of a summary of a description of medieval armour in 1869.

By the late 6th century BC, many paintings and sculptures show hoplites and other warriors in the Aegean wearing the linothorax instead of a bronze cuirass. This could have been due to the lower price, lesser weight, or cooler material. Artists continue to show it in the Hellenistic period after the death of Alexander the Great. The Roman emperor Caracalla equipped a "Macedonian phalanx" with linen armour around 200 AD (Cassius Dio 78.7).

The Grave relief of Publius Aiedius and Aiedia is an ancient Roman grave relief from the first half of the first century AD, now kept in the Pergamonmuseum / Antikensammlung Berlin, with Inventory number SK 840 (R 7).

It is a 64 cm wide and 99 cm high marble plaque, which was found in Rome on the Via Appia and was purchased for the predecessor of the modern Antikensammlung Berlin in 1866.

The Altes Museum (English: Old Museum) is a listed building on the Museum Island in the historic centre of Berlin, Germany. Built between 1825 and 1830 by order of King Frederick William III of Prussia according to plans by Karl Friedrich Schinkel, it is considered a major work of German Neoclassical architecture. It is surrounded by the Berlin Cathedral to the east, the Berlin Palace to the south and the Zeughaus to the west. Currently, the Altes Museum houses the Antikensammlung and parts of the Münzkabinett. As part of the Museum Island complex, the Altes Museum was listed as a UNESCO World Heritage Site in 1999, in recognition of its testimony to the development of the museum as a social and architectural phenomenon.

Senecan tragedy refers to a set of ten ancient Roman tragedies, eight of which were probably written by the Stoic philosopher and politician Lucius Annaeus Seneca. Senecan tragedy, much like any particular type of tragedy, had specific characteristics to help classify it. The three characteristics of Senecan tragedy were: five separate acts, each with a Chorus; recounting of ‘horrors’ and violent acts, which are usually done off-stage; and some sort of parallel of the violence that occurred. Only the Phoenissae departs from the five act structure. In the English literary canon, Seneca appears as a major influence on later texts about revenge, such as Titus Andronicus and The Crying of Lot 49.

In Greek mythology, Polybotes (/ˌpɒlɪˈboʊtiːz/) (Ancient Greek: Πολυβώτης) was one of the giants, the offspring of Gaia (Earth) and Uranus (Sky). He fought Poseidon during the Gigantomachy, the war between the giants and the gods.

The Edict on Maximum Prices (Latin: Edictum de Pretiis Rerum Venalium, "Edict Concerning the Sale Price of Goods"; also known as the Edict on Prices or the Edict of Diocletian) was issued in 301 by Diocletian. The document denounces greed and sets maximum prices and wages for all important articles and services.

The Edict exists only in fragments found mainly in the eastern part of the empire, where Diocletian ruled. The reconstructed fragments have been sufficient to estimate many prices for goods and services for historical economists (although the Edict attempts to set maximum prices, not fixed ones). It was probably issued from Antioch or Alexandria and was set up in inscriptions in Greek and Latin.

The Varrese Painter was an Apulian red-figure vase painter. His works are dated to the middle of the 4th century BC.

His conventional name is derived from the Varrese hypogeum (a rock-cut grave complex) at Canosa di Puglia, which contained several vases painted by him. In total, over 200 known vases are attributed to him. Scholars consider him one of the most important representatives of his period. His influence extended beyond his immediate surroundings and beyond his own phase of activity, as far as the immediate predecessors of the Darius Painter. A quarter of the vases attributed to him, including hydriai, nestorids, loutrophoroi and a large oenochoe are of considerable size. The rest if his work is mainly on bell kraters and pelikes. Although he belongs to the tradition of the Ornate Style, his smaller vessels are often stylistically close to the Plain Style.