Chivalry in the context of "Honoring"

Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.

Some narrative poetry takes the form of a novel in verse. An example of this is The Ring and the Book by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the Romance of the Rose or Tennyson's Idylls of the King. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected into interrelated groups, as with Chaucer's The Canterbury Tales. So sagas include both incidental poetry and the biographies of poets.

The Hundred Years' War (French: Guerre de Cent Ans; 1337–1453) was a conflict between the kingdoms of England and France and a civil war in France during the Late Middle Ages. It emerged from feudal disputes over the Duchy of Aquitaine and was triggered by a claim to the French throne made by Edward III of England. The war grew into a broader military, economic, and political struggle involving factions from across Western Europe, fuelled by emerging nationalism on both sides. The periodisation of the war typically charts it as taking place over 116 years. However, it was an intermittent conflict which was frequently interrupted by external factors, such as the Black Death, and several years of truces.

The Hundred Years' War was a significant conflict in the Middle Ages. During the war, five generations of kings from two rival dynasties fought for the throne of France, then the wealthiest and most populous kingdom in Western Europe. The war had a lasting effect on European history: both sides produced innovations in military technology and tactics, including professional standing armies and artillery, that permanently changed European warfare. Chivalry reached its height during the conflict and subsequently declined. Stronger national identities took root in both kingdoms, which became more centralized and gradually emerged as global powers.

God Speed is a painting by British artist Edmund Leighton, depicting an armored knight departing to war and leaving his beloved. The painting was exhibited at the Royal Academy of Arts in 1900. God Speed was the first of several paintings by Leighton during the 1900s on the subject of chivalry, including The Accolade (1901) and The Dedication (1908).

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, damsels in distress, dragons, and other romantic tropes.

Honour (Commonwealth English) or honor (American English; see spelling differences) is a quality of a person that is of both social teaching and personal ethos, that manifests itself as a code of conduct, and has various elements such as valour, chivalry, honesty, and compassion. It is an abstract concept entailing a perceived quality of worthiness and respectability that affects both the social standing and the self-evaluation of an individual or of institutions such as a family, school, regiment, or nation. Accordingly, individuals (or institutions) are assigned worth and stature based on the harmony of their actions with a specific code of honour, and with the moral code of the society at large.

Samuel Johnson, in his A Dictionary of the English Language (1755), defined honour as having several senses, the first of which was "nobility of soul, magnanimity, and a scorn of meanness".This sort of honour derives from the perceived virtuous conduct and personal integrity of the person endowed with it. Johnson also defined honour in relationship to "reputation" and "fame"; to "privileges of rank or birth", and as "respect" of the kind which "places an individual socially and determines his right to precedence". This sort of honour is often not so much a function of moral or ethical excellence, as it is a consequence of power. Finally, with respect to sexuality, honour has traditionally been associated with (or identical to) "chastity" or "virginity", or in case of married men and women, "fidelity".

A knight-errant (or knight errant) is a figure of medieval chivalric romance literature. The adjective errant (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels (pas d'armes) or in some other pursuit of courtly love.