Chinese jade in the context of "Rites of Zhou"

Play Trivia Questions online!

or

Skip to study material about Chinese jade in the context of "Rites of Zhou"

Ad spacer

⭐ Core Definition: Chinese jade

Chinese jade refers to the jade mined or carved in China from the Neolithic onward. It is the primary hardstone of Chinese sculpture. Although deep and bright green jadeite is better known in Europe, for most of China's history, jade has come in a variety of colors and white "mutton-fat" nephrite was the most highly praised and prized. Native sources in Henan and along the Yangtze were exploited since prehistoric times and have largely been exhausted; most Chinese jade today is extracted from the northwestern province of Xinjiang.

Jade was prized for its hardness, durability, musical qualities, and beauty. In particular, its subtle, translucent colors and protective qualities caused it to become associated with Chinese conceptions of the soul and immortality. With gold, it was considered to be a symbol of heaven. Jade production began in China over seven millennia ago (c. 5000 BCE), yielding the largest body of intricately crafted jade artifacts created by any single civilization. A prominent early use was the crafting of the Six Ritual Jades, found since the 3rd-millennium BCE Liangzhu culture: the bi, the cong, the huang, the hu, the gui, and the zhang. Since the meanings of these shapes were not mentioned prior to the eastern Zhou dynasty, by the time of the composition of the Rites of Zhou, they were thought to represent the sky, the earth, and the four directions. By the Han dynasty, the royal family and prominent lords were buried entirely ensheathed in jade burial suits sewn in gold thread, on the idea that it would preserve the body and the souls attached to it. Jade was also thought to combat fatigue in the living. The Han also greatly improved prior artistic treatment of jade.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<
In this Dossier

Chinese jade in the context of Liangzhu culture

The Liangzhu (/ˈljɑːŋˈ/) culture or civilization (3300–2300 BC) was the last Chinese Neolithic jade culture in the Yangtze River Delta. The culture was highly stratified, as jade, silk, ivory and lacquer artifacts were found exclusively in elite burials, while pottery was more commonly found in the burial plots of poorer individuals. This division of class indicates that the Liangzhu period was an early state, symbolized by the clear distinction drawn between social classes in funeral structures. A pan-regional urban center had emerged at the Liangzhu site in northwestern Hangzhou, Zhejiang, and elite groups from this site presided over the local centers. The Liangzhu culture was extremely influential and its sphere of influence reached as far north as Shanxi and as far south as Guangdong. The primary Liangzhu site was perhaps among the oldest Neolithic sites in East Asia that would be considered a state society. The type site at Liangzhu was discovered in Yuhang County, Zhejiang and initially excavated by Shi Xingeng in 1936.

On 6 July 2019, the archaeological ruins of Liangzhu City was inscribed as a UNESCO World Heritage Site.

↑ Return to Menu

Chinese jade in the context of Heirloom Seal of the Realm

The Heirloom Seal of the Realm (traditional Chinese: 傳國玉璽; simplified Chinese: 传国玉玺; pinyin: chuán guó yù xǐ), also known in English as the Imperial Seal of China, was a Chinese jade seal allegedly carved out of the Heshibi, a sacred piece of jade. The Seal was created in 221 BC, shortly after Qin Shi Huang unified China and established the Qin dynasty, China's first imperial dynasty. The Heirloom Seal served as the imperial Chinese seal throughout the next millennium of Chinese history, and its possession was seen as a physical symbol of the Mandate of Heaven.

The Heirloom Seal was lost around the end of the Tang dynasty (618–907) or during the Five Dynasties and Ten Kingdoms period (907–960).

↑ Return to Menu