The Chester Mystery Plays is a cycle of mystery plays originating in the city of Chester, England and dating back to at least the early part of the 15th century. They were banned during the reign of Elizabeth I for "Popery" by the Church of England.
The Chester Mystery Plays is a cycle of mystery plays originating in the city of Chester, England and dating back to at least the early part of the 15th century. They were banned during the reign of Elizabeth I for "Popery" by the Church of England.
A cordwainer (/ˈkɔːrdˌweɪnər/) is a shoemaker who makes new shoes from new leather. The cordwainer's trade can be contrasted with the cobbler's trade, according to a tradition in Britain that restricted cobblers to repairing shoes. This usage distinction is not universally observed, as the word cobbler is widely used for tradespersons who make or repair shoes.
The Oxford English Dictionary says that the word cordwainer is archaic, "still used in the names of guilds, for example, the Cordwainers' Company"; but its definition of cobbler mentions only mending, reflecting the older distinction. Play 14 of the Chester Mystery Plays was presented by the guild of corvisors, known to mean shoemakers.
Medieval theatre encompasses theatre in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as Everyman. One of the first surviving secular plays in English is The Interlude of the Student and the Girl (c. 1300).
Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by the late period, performances began to become more secularized; larger number of records survive.