Charles Collens in the context of "Colonial Revival architecture"

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⭐ Core Definition: Charles Collens

Allen & Collens was an American architectural firm based in Boston. It was initially established by architect Francis R. Allen in 1879. After two early partnerships he formed Allen & Collens in 1903 with Charles Collens. The firm was best known as the designers of Gothic Revival buildings, including the Union Theological Seminary campus and Riverside Church in New York City. Allen and Collens died in 1931 and 1956, respectively, and the firm was continued by Collens' partner, Harold Buckley Willis, until his own death in 1962.

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Charles Collens in the context of The Cloisters

The Cloisters (also known as the Met Cloisters) is a museum in Fort Tryon Park, straddling the neighborhoods of Washington Heights and Inwood, in Upper Manhattan, New York City. The museum specializes in European medieval art and architecture, with a focus on the Romanesque and Gothic periods. Governed by the Metropolitan Museum of Art, it contains a large collection of medieval artworks shown in the architectural settings of French monasteries and abbeys. Its buildings are centered around four cloisters—the Cuxa, Saint-Guilhem, Bonnefont, and Trie-sur-Baïse—that were acquired by American sculptor and art dealer George Grey Barnard in France before 1913 and moved to New York. Barnard's collection was bought for the museum by financier and philanthropist John D. Rockefeller Jr. Other major sources of objects were the collections of J. P. Morgan and Joseph Brummer.

The museum's building was designed by the architect Charles Collens, on a site on a steep hill, with upper and lower levels. It contains medieval gardens and a series of chapels and themed galleries, including the Romanesque, Fuentidueña, Unicorn, Spanish, and Gothic rooms. The design, layout, and ambiance of the building are intended to evoke a sense of medieval European monastic life. It holds about 5,000 works of art and architecture, all European and mostly dating from the Byzantine to the early Renaissance periods, mainly during the 12th through 15th centuries. The objects include stone and wood sculptures, tapestries, illuminated manuscripts, and panel paintings, of which the best known include the c. 1422 Early Netherlandish Mérode Altarpiece and the c. 1495–1505 Flemish The Unicorn Tapestries.

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