Chancel in the context of "Templon"

Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches. This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.

The nave (/neɪv/) is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts. Either way, the nave is distinct from the area reserved for the choir and clergy.

A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin pulpitum (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, tester or abat-voix above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon.

The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some chapels a second pulpit was built opposite the main one for lay exhortations, testimonies and other speeches. Many churches have a second, smaller stand called the lectern located in the Epistle side, which can be used by lay persons, and is often used for other Scripture lessons and ordinary announcements. The traditional Catholic location of the pulpit to the left side of the chancel or nave has been generally retained by Lutherans and many Anglicans, while in Presbyterian and Baptist churches the pulpit is located in the centre behind the communion table. Many modern Roman Catholic churches have an ambo that functions as both a pulpit and lectern.

Langley Chapel is an Anglican church, built in 1601, located in a remote area (the parish of Ruckley and Langley) approximately 1.5 miles to the south of Acton Burnell, Shropshire, England.

It is now in the care of English Heritage, and is notable for having a complete set of original 17th-century wooden furniture, and its lack of a chancel, in line both with its small size and Protestant attitudes to worship. It is one of the few new churches built in England in the Elizabethan period. Despite being built at the start of the 17th century, the east window tracery is in a simplified Gothic style, though the doorways are in plain vernacular styles, one with a flat lintel and another round-headed. The window on the north side is also plain and rectangular. It is a Grade I listed building.

The Shakespeare funerary monument is a memorial to William Shakespeare located inside Holy Trinity Church at Stratford-upon-Avon in Warwickshire, the church in which Shakespeare was baptised and where he was buried in the chancel two days after his death. The monument, carved in pale blue limestone, is mounted on the north wall of the chancel. It has traditionally been identified as the work of the sculptor Gerard Johnson, but this attribution is challenged by Lena Cowen Orlin, who argues that it was more likely modelled from life by Gerard's brother, Nicholas Johnson.

The monument features a demi-figure of the poet holding a real quill pen in one hand and a piece of paper resting on a cushion in the other. The style, which was popular from the early- to the mid-17th century, was most commonly used to memorialize divines, academics, and those professions with pretensions of learning. The buttoned doublet, with its ornamental slashes, was probably originally painted scarlet, the loose subfusc gown black, the eyes hazel, and the hair and beard auburn. It has been retouched many times, and was painted entirely white in 1793. This demi-figure is one of only two representations definitely accepted as accurately portraying William Shakespeare's physical appearance. The monument is topped with strapwork rising to a heraldic shield displaying Shakespeare's arms, on either side of which sits an allegorical figure: one, representing Labour, holds a spade, the other, representing Rest, holds an inverted torch and a skull.

A crypt (from Ancient Greek κρύπτη (kryptē) crypta 'vault') is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics.

Originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the ground level, such as St Michael's Church in Hildesheim, Germany.

A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature.

As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The place where the singers are based is sometimes called the ritual choir, as opposed to the architectural choir or constructional choir.

Eastertide (also known as Eastertime or the Easter season) or Paschaltide (also known as Paschaltime or the Paschal season) is a festal season in the liturgical year of Christianity that focuses on celebrating the Resurrection of Jesus Christ. Preceded by Lent, it begins on Easter Day, which initiates Easter Week in Western Christianity, and Bright Week in Eastern Christianity.

There are several Eastertide customs across the Christian world, including flowering the cross, sunrise services, the wearing of Easter bonnets by women, exclaiming the Paschal greeting, clipping the church, and decorating Easter eggs, a symbol of the empty tomb. Additional Eastertide traditions include egg hunting, eating special Easter foods and watching Easter parades. The Easter lily, a symbol of the resurrection in Christianity, traditionally decorates the chancel area of churches on this day and for the rest of Eastertide.

The Basilica of San Francesco is a late Medieval church in Arezzo, Tuscany, Italy, dedicated to St Francis of Assisi. It is especially renowned for housing in the chancel the fresco cycle Legends of the True Cross by Piero della Francesca.

Cancelli are lattice-work, placed before a window, a door-way, the tribunal of a judge, the chancel of a church, or any other similar place.

This led to the occupation of cancellarius, which originally signified a porter who stood at the latticed or grated door of the emperor's palace. According to the Historia Augusta, the emperor Carinus (reigned 283–285) gave great dissatisfaction by promoting one of these cancellarii to city prefect, although the veracity of this account is disputed.