Certosa di Pavia in the context of "Carthusians"

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⭐ Core Definition: Certosa di Pavia

The Certosa di Pavia is a monastery complex in Lombardy, Northern Italy, situated near a small village of the same name in the Province of Pavia, 8 km (5.0 mi) north of Pavia. Built from 1396 to 1495, it was once located at the end of the Visconti Park a large hunting park and pleasure ground belonging to the Visconti dukes of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.

Certosa is the Italian translation of Charterhouse: a monastery of the cloistered monastic order of Carthusians founded by St. Bruno in 1044 at Grande Chartreuse. Though the Carthusians in their early centuries were known for their seclusion and asceticism and the plainness of their architecture, the Certosa is renowned for the exuberance of its architecture, in both the Gothic and Renaissance styles, and for its collection of artworks which are particularly representative of the region.

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Certosa di Pavia in the context of Gian Galeazzo Visconti

Gian Galeazzo Visconti (16 October 1351 – 3 September 1402), was the first duke of Milan (1395) and ruled that late-medieval city just before the dawn of the Renaissance. He also ruled Lombardy jointly with his uncle Bernabò. He was the founding patron of the Certosa di Pavia, completing the Visconti Castle at Pavia begun by his father and furthering work on the Duomo of Milan. He captured a large territory of northern Italy and the Po valley. He threatened war with France in relation to the transfer of Genoa to French control as well as issues with his beloved daughter Valentina. When he died of fever in the Castello of Melegnano, his children fought with each other and fragmented the territories that he had ruled.

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Certosa di Pavia in the context of Visconti Castle (Pavia)

The Visconti Castle of Pavia (Italian: Castello Visconteo di Pavia) is a medieval castle in Pavia, Lombardy, Northern Italy. It was built after 1360 in a few years by Galeazzo II Visconti, Lord of Milan, and used as a sovereign residence by him and his son Gian Galeazzo, first duke of Milan. Its wide dimensions induced Petrarch, who visited Pavia in the fall of 1365, to call it "an enormous palace in the citadel, a truly remarkable and costly structure". Adjacent to the castle, the Visconti created a vast walled park that reached the Certosa di Pavia, a Carthusian monastery founded in 1396 by the Visconti as well and located about 7 kilometres (4.3 mi) to the north.

In the 16th century, an artillery attack on Pavia destroyed a wing and two towers of the castle. The frescos that entirely decorated the castle rooms are today almost completely lost. The castle had been the seat of the Visconti Library until its transfer to Paris in 1499. Today, it hosts the Pavia Civic Museums.

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Certosa di Pavia in the context of Certosa di Pavia (comune)

Certosa di Pavia (Pavese dialect: Certusa dè Pavia or la Certùsa) is a town and comune (municipality) in the province of Pavia, Lombardy, Italy. It is named after the Certosa di Pavia, a large monastery around which the town grew up. As of 2013 its population was 5,114.

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Certosa di Pavia in the context of Visconti Park

Visconti Park (Parco Visconteo in Italian) was the private park of the Visconti and Sforza families, lords, and dukes of Milan. Located in Lombardy, northern Italy, it extended between Pavia Castle and the Certosa di Pavia monastery. It covered an area of about 2,200 hectares (22 km) and was encircled by walls about 25 kilometres (16 mi) in length. It was founded in 1360 by Galeazzo II Visconti and enlarged by his son Gian Galeazzo.

It was used for hunting and as a pleasure ground with various features. Its decay began in 1525 with the damages inflicted during the important Battle of Pavia, which was largely fought (by over 50,000 troops) inside the park. Today, the park's old area is mainly farmland, while some portions are nature reserves.

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Certosa di Pavia in the context of Zavattari

The Zavattari were a family of Italian painters active in Lombardy from the 14th to the 16th century.

Cristoforo and Franceschino Zavattari are known as collaborators to the decoration of the Duomo of Milan in the early 15th century. The family's masterwork are the frescoes in the Theodelinda Chapel in the Cathedral of Monza, work by Ambrogio and Gregorio Zavattari (1444). Unusually in fresco, the gold sky is patterned in relief pastiglia plasterwork. Some attribute this work to Troso da Monza.Subsequently, Franceschino and his sons worked at the Certosa di Pavia, where they conserve a fresco depicting the Madonna, and the church of San Lanfranco in Pavia.

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