Centre for Fine Arts, Brussels in the context of Belgian National Orchestra

⭐ Core Definition: Centre for Fine Arts, Brussels

The Centre for Fine Arts (French: Palais des Beaux-Arts, pronounced [palɛ de boz‿aʁ]; Dutch: Paleis voor Schone Kunsten, pronounced [paˈlɛis foːr ˈsxoːnə ˈkʏnstə(n)]) is a multi-purpose cultural venue in the Royal Quarter of Brussels, Belgium. It is often referred to as BOZAR (a homophone of Beaux-arts) in French or by its initials PSK in Dutch. This multidisciplinary space was designed to bring together a wide range of artistic events, whether music, visual arts, theatre, dance, literature, cinema or architecture.

The building housing the Centre for Fine Arts was designed by the architect Victor Horta in Art Deco style, and completed in 1929 at the instigation of the banker and patron of the arts Henry Le Bœuf. It includes exhibition and conference rooms, a cinema and a concert hall, which serves as home to the Belgian National Orchestra (BNO). It is located at 23, rue Ravenstein/Ravensteinstraat, between the Hôtel Ravenstein and the headquarters of BNP Paribas Fortis, and across the street from the Ravenstein Gallery [fr; nl]. This site is served by Brussels-Central railway station and Parc/Park metro station on lines 1 and 5 of the Brussels Metro.

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Centre for Fine Arts, Brussels in the context of Victor Horta

Victor Pierre Horta (French: [viktɔʁ ɔʁta]; Victor, Baron Horta after 1932; 6 January 1861 – 8 September 1947) was a Belgian architect and designer, and one of the founders of the Art Nouveau movement. He was a fervent admirer of the French architectural theorist Eugène Viollet-le-Duc and his Hôtel Tassel in Brussels (1892–93), often considered the first Art Nouveau house, is based on the work of Viollet-le-Duc. The curving stylized vegetal forms that Horta used in turn influenced many others, including the French architect Hector Guimard, who used it in the first Art Nouveau apartment building he designed in Paris and in the entrances he designed for the Paris Metro. He is also considered a precursor of modern architecture for his open floor plans and his innovative use of iron, steel and glass.

Horta's later work moved away from Art Nouveau, and became more geometric and formal, with classical touches, such as columns. He made a highly original use of steel frames and skylights to bring light into the structures, open floor plans, and finely-designed decorative details. His later major works included the Maison du Peuple/Volkshuis (1895–1899), Brussels' Centre for Fine Arts (1923–1929) and Brussels-Central railway station (1913–1952). In 1932, King Albert I conferred on Horta the title of Baron for his services to the field of architecture.

View the full Wikipedia page for Victor Horta

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