Centre Pompidou in the context of "Renzo Piano"

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⭐ Core Definition: Centre Pompidou

The Centre Pompidou (French pronunciation: [sɑ̃tʁ pɔ̃pidu]), more fully the Centre national d'art et de culture Georges-Pompidou (lit.'National Georges Pompidou Centre of Art and Culture'), also known as the Pompidou Centre in English and colloquially as Beaubourg, is a building complex in Paris, France. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers and Renzo Piano, along with Gianfranco Franchini. It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Estaing.

Centre Pompidou is located in the Beaubourg area of the 4th arrondissement of Paris. It houses the Bibliothèque publique d'information (BPI; Public Information Library), a vast public library, and the Musée National d'Art Moderne, the largest museum for modern art in Europe. The Place Georges Pompidou is an open plaza in front of the museum.

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Centre Pompidou in the context of Musée National d'Art Moderne

The Musée National d'Art Moderne (French pronunciation: [myze nɑsjɔnal daʁ mɔdɛʁn]; "National Museum of Modern Art") is the national museum for modern art of France. It is located in the 4th arrondissement of Paris and is housed in the Centre Pompidou. In 2021 it ranked 10th in the list of most visited art museums in the world, with 1,501,040 visitors. It is one of the largest museums for modern and contemporary art in the world.

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Centre Pompidou in the context of Street theatre

Street theatre is a form of theatrical performance and presentation in outdoor public spaces without a specific paying audience. These spaces can be anywhere, including shopping centres, car parks, recreational reserves, college or university campus and street corners. They are especially seen in outdoor spaces where there are large numbers of people. Performers range from buskers to organised theatre companies, with the purpose of experimenting with performance spaces, promoting their mainstream work, or being commissioned for events such as street festivals, children's shows, or parades.

The logistics of doing street theatre necessitate simple costumes and props, and often there is little or no amplification of sound, with actors depending on their natural vocal and physical ability. This makes physical theatre, including dance, mime and slapstick, a very popular genre in an outdoor setting. The performances need to be highly visible, loud and simple to follow in order to attract a crowd.

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Centre Pompidou in the context of Magdalena Jetelová

Magdalena Jetelová (born 4 June 1946) is a Czech installation artist and land artist, who has achieved international acclaim. Known mainly for her environmental installation works, Jetelová combines light, architecture, photography, sculpture, and installation to explore the relationship between humans, objects, and space. Her work has been exhibited in various prominent galleries internationally such as Museu d'Art Contemporani de Barcelona, Tate Gallery London, Museum of Modern Art, 21er Haus, and the Martin-Gropius-Bau. Her work is also in the collection of Hirshhorn Museum, the Centre Pompidou, and the Museum Ludwig.

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Centre Pompidou in the context of Saint-Merri

The Church of Saint-Merri or Église Saint-Merry) is a parish church in Paris, located near the Centre Pompidou along the rue Saint Martin, in the 4th arrondissement on the Rive Droite (Right Bank). It is dedicated to the 7th century abbot of Autun Abbey, Saint Mederic, who came to Paris on pilgrimage and later died there in the year 700. In 884 Mederic was declared patron saint of the Right Bank.

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