Central Asian art in the context of "East Asian art"

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⭐ Core Definition: Central Asian art

Central Asian art is visual art created in Central Asia, in areas corresponding to modern Kyrgyzstan, Kazakhstan, Uzbekistan, Turkmenistan, Tajikistan, Afghanistan, and parts of modern Mongolia, China and Russia. The art of ancient and medieval Central Asia reflects the rich history of this vast area, home to a huge variety of peoples, religions and ways of life. The artistic remains of the region show a remarkable combinations of influences that exemplify the multicultural nature of Central Asian society. The Silk Road transmission of art, Scythian art, Greco-Buddhist art, Serindian art and more recently Persianate culture, are all part of this complicated history.

From the late second millennium BC until very recently, the grasslands of Central Asia – stretching from the Caspian Sea to central China and from southern Russia to northern India – have been home to migrating herders who practised mixed economies on the margins of sedentary societies. The prehistoric 'animal style' art of these pastoral nomads not only demonstrates their zoomorphic mythologies and shamanic traditions but also their fluidity in incorporating the symbols of sedentary society into their own artworks.

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Central Asian art in the context of Kizil Caves

The Kizil Caves (also romanized as Qizil or Qyzyl; Uyghur: قىزىل مىڭ ئۆي, lit.'The Thousand Red Houses'; Chinese: 克孜尔千佛洞; lit. 'Kizil Caves of the Thousand Buddhas') are a set of Buddhist rock-cut caves located near Kizil Township (克孜尔乡; Kèzī'ěr Xiāng) in Baicheng County, Aksu Prefecture, Xinjiang, China. The site is located on the northern bank of the Muzat River 65 kilometres (40 miles) (75 km; 50 miles by road) west of Kucha. This area was a commercial hub of the Silk Road. The caves have an important role in Central Asian art and in the Silk Road transmission of Buddhism, and are said to be the earliest major Buddhist cave complex in China, with development occurring between the 3rd and 8th centuries CE. The caves of Kizil are the earlier of their type in China, and their model was later adopted in the construction of Buddhist caves further east. Another name for the site has been Ming-oi (明屋), although this term is now mainly used for the site of Shorchuk to the east.

The Kizil Caves were inscribed in 2014 on the UNESCO World Heritage List as part of the Silk Roads: the Routes Network of Chang'an-Tianshan Corridor World Heritage Site.

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Central Asian art in the context of Asian art

The history of Asian art includes a vast range of arts from various cultures, regions, and religions across the continent of Asia. Asian art is typically divided into broad blocks: East Asian art includes works from China, Japan, Korea and Tibetan art, while Southeast Asian art includes the arts of Cambodia, Indonesia, Laos, Malaysia, Myanmar (Burma), the Philippines, Thailand, and Vietnam. Historically, South Asian art mostly falls under Indian art, which encompasses the arts of the Indian subcontinent, while Central Asian art covers that region. West Asian art encompasses the arts of the Ancient Near East including Mesopotamian art and Persian art, and more recently becoming dominated by Islamic art.

In many ways, the history of Eastern art parallels the development of Western art. The art histories of Asia and Europe repeatedly intertwine, with Asian art greatly influencing European art, and vice versa; the Eurasian cultures mixed through methods such as steppe-nomad migrations,followed successively by the Silk Road transmission of art, the cultural exchange of the Age of Discovery and Western colonization, and through the Internet and modern globalization.

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