Celtic god in the context of Indo-European religion


Celtic god in the context of Indo-European religion

⭐ Core Definition: Celtic god

The gods and goddesses of the pre-Christian Celtic peoples are known from a variety of sources, including ancient places of worship, statues, engravings, cult objects, and place or personal names. The ancient Celts appear to have had a pantheon of deities comparable to others in Indo-European religion, each linked to aspects of life and the natural world. By a process of syncretism, after the Roman conquest of Celtic areas, most of these became associated with their Roman equivalents, and their worship continued until Christianization. Epona was an exception and retained without association with any Roman deity. Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period. More tentatively, links can be made between ancient Celtic deities and figures in early medieval Irish and Welsh literature, although all these works were produced well after Christianization.

The locus classicus for the Celtic gods of Gaul is the passage in Julius Caesar's Commentarii de Bello Gallico (The Gallic War, 52–51 BC) in which he names six of them, together with their functions. He says that Mercury was the most honoured of all the deities and many images of him were to be found. Mercury was regarded as the inventor of all the arts, the patron of travellers and of merchants, and the most powerful deity in matters of commerce and gain. After him, the Gauls honoured Apollo, who drove away diseases, Mars, who controlled war, Jupiter, who ruled the heavens, and Minerva, who promoted handicrafts. He adds that the Gauls regarded a god he likened to Dis Pater as their ancestor.

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Celtic god in the context of Lugus

Lugus (sometimes Lugos or Lug) is a Celtic god whose worship is attested in the epigraphic record. No depictions of the god are known. Lugus perhaps also appears in Roman sources and medieval Insular mythology.

Various dedications, concentrated in Iberia and dated to between the 1st century BCE and the 3rd century CE, attest to the worship of the god Lugus. However, these predominately describe the god in the plural, as the Lugoves. The nature of these deities, and their relationship to Lugus, has been much debated. Only one, early inscription from Peñalba de Villastar, Spain is widely agreed to attest to Lugus as a singular entity. The god Lugus has also been cited in the etymologies of several Celtic personal and place-names incorporating the element "Lug(u)-" (for example, that of the prominent Roman settlement Lugdunum).

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Celtic god in the context of Toutatis

Teutates (spelled variously Toutatis, Totatis, Totates) is a Celtic god attested in literary and epigraphic sources. His name, which is derived from a proto-Celtic word meaning "tribe", suggests he was a tribal deity.

The Roman poet Lucan's epic Pharsalia mentions Teutates, Esus, and Taranis as gods to whom the Gauls sacrificed humans. This rare mention of Celtic gods under their native names in a Latin text has been the subject of much comment. Almost as often commented on are the scholia to Lucan's poem (early medieval, but relying on earlier sources) which tell us the nature of these sacrifices: in particular, that victims of Teutates were immersed headfirst into a small barrel and drowned. This sacrifice has been compared with a poorly understood ritual depicted on the Gundestrup cauldron, some motifs in Irish mythology, and the death of the bog body known as the Lindow Man.

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Celtic god in the context of Cernunnos

Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.

Through the Pillar of the Boatmen, the name "Cernunnos" has been used to identify the members of an iconographic cluster, consisting of depictions of an antlered god (often aged and with crossed legs) associated with torcs, ram-horned (or ram-headed) serpents, symbols of fertility, and wild beasts (especially deer). The use of the name this way is common, though not uncontroversial. As many as 25 depictions of the Cernunnos-type have been identified. Though this iconographic group is best attested in north-eastern Gaul, depictions of the god have been identified as far off as Italy (Val Camonica) and Denmark (Gundestrup).

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Celtic god in the context of Ogmios

Ogmios (sometimes Ogmius; Ancient Greek: Ὄγμιος) is the name given to a Celtic god of eloquence described in Heracles, a c. 175 CE work of the Syrian satirist Lucian.

Lucian's Heracles is a short text, intended to be read aloud before a longer public performance. It describes Lucian's viewing of a strange image of Ogmios in Gaul. In this image, the god is depicted as a dark-skinned, aged version of the Greek hero Heracles, with a group of happy devotees tied by bejewelled chains to the god's tongue. A Celt approaches Lucian and explains these features, telling him that they reflect a native association of Ogmios with eloquence (which, the Celt explains, reaches its highest level in old age). Lucian uses this anecdote to prove to his audience that, in old age, he is still competent to deliver public performances.

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